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Cats take centre stage in Minyoung Kim’s surreal and refined work

Admin by Admin
August 17, 2026
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Cats take centre stage in Minyoung Kim’s surreal and refined work
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We regularly hear a few character or material turning into a focus in a inventive’s work. It could actually begin unknowingly, since you simply take pleasure in drawing a sure factor. Then it creeps again in time and again, and there you’ve gotten it – you are obsessive about drawing one factor, and also you develop into well-known for doing it. Within the case of Minyoung Kim, it is cats.

However do not anticipate a cat sitting prettily within the centre of the canvas. Minyoung’s cats are painted with a black paw hooking over the rim of a desk, a pair of yellow eyes glinting behind a curtain, a shadow bleeding by a gauzy veil onto an in any other case composed eating scene. In a single portray, a claw reaches as much as raise the lid off a silver cloche, the place a single leaf burns contained in the reflection.

Condensed Gaze, 2026 © Minyoung Kim

Condensed Gaze, 2026 © Minyoung Kim




Summer Reverie, 2025 © Minyoung Kim

Summer time Reverie, 2025 © Minyoung Kim




Behind the Veil, 2026 © Minyoung Kim

Behind the Veil, 2026 © Minyoung Kim




In one other, a watermelon balanced on draped blue material seems to have a paw gripping the material beneath it – the cat itself by no means totally in view. Some are extra seen, like a black cat crouched low over a plate of cherries, eyes locked on the viewer, one paw already reaching for the fruit prefer it’s simply been caught red-handed. However more often than not, they’re depicted subtly. “Cats are a recurring motif in my work, although the way in which they present up has advanced. As an alternative of capturing them immediately, they now are inclined to exist as a shadow, a paw peeking out from behind an object, or only a refined presence within the room,” Minyoung explains.

That sensibility of making a way of calm with the sensation of one thing faintly unsuitable extends to her objects, too. A teapot grows a human-like face and a clawed hand of its personal; a jar takes on a human expression; a lobster with a pair of cat eyes. “I am all for that time the place the acquainted begins to shift into one thing just a little stranger,” she says.

Minyoung grew up in South Korea, finishing her BA and MA in Tremendous Artwork there earlier than shifting to London in 2019 for an MFA on the Slade Faculty of Tremendous Artwork, the place she graduated in 2021. She’s labored in London as a full-time artist ever since. She credit the transfer with reshaping her method to portray: “It actually pushed me to develop into extra experimental, belief my visible instincts and develop a observe that feels deeply private.”

Big Fish, 2026 © Minyoung Kim

Large Fish, 2026 © Minyoung Kim




Cherries with Cat, 2025 © Minyoung Kim

Cherries with Cat, 2025 © Minyoung Kim




The Jar, 2025 © Minyoung Kim

The Jar, 2025 © Minyoung Kim




Color is as necessary as the themes on the canvas, and he or she considers it earlier than anything. “I usually discover myself visualising the general palette earlier than the composition is even totally locked down,” she says. Generally a portray begins as a result of a selected mixture of tones has caught her consideration, with the scene constructed out from there.

After that, she sketches on her iPad or in pocket book thumbnails earlier than mapping a unfastened model onto canvas and portray rapidly, resisting a tightly rendered underdrawing in favour of letting the piece shift as she works. “I desire to let the piece evolve organically as I work. Whereas portray, I am always tweaking the connection between color, gentle, and the objects themselves till every part feels balanced.”

She highlights two work from her latest solo present Whispers Inside Issues, at Enari Gallery in Amsterdam. In Behind the Veil, a cat’s shadow filters by translucent material over a eating desk, its ambiguity doing all of the work: “It feels as if one thing has simply occurred, or is true on the verge of taking place, with out ever totally explaining what’s taking place.”

Negotiation, 2024 © Minyoung Kim

Negotiation, 2024 © Minyoung Kim




The Bite, 2026 © Minyoung Kim

The Chew, 2026 © Minyoung Kim




Under Cloth, 2024 © Minyoung Kim

Below Material, 2024 © Minyoung Kim




In Burning Leaf, a cultured cloche displays the room round it whereas a leaf smoulders inside – a cat’s paw creeping in to raise the lid. “I needed it to really feel inviting at first, however step by step reveal a extra mysterious undertone the longer you spend with it.”

Minyoung’s not all for dictating what any of it means. “If somebody lingers in entrance of a portray and begins weaving their very own story round it, then I really feel the work has achieved its job.”

Subsequent up, there is a solo presentation with Enari Gallery at Untitled Artwork Honest Miami this December – her first solo exhibiting at an American artwork honest – and a physique of latest work she’s presently deep within the studio constructing in direction of.

Minyoung Kim

Minyoung Kim




Tags: CatscentreKimsMinyoungPaintingsStageSubtleSurreal
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Cats take centre stage in Minyoung Kim’s surreal and refined work

Cats take centre stage in Minyoung Kim’s surreal and refined work

August 17, 2026
Big Historic Roman Dolium And Potential Shipwreck Discovered On The Seabed Close to Elba Island

Big Historic Roman Dolium And Potential Shipwreck Discovered On The Seabed Close to Elba Island

August 17, 2026
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