Behringer’s BM-13 Moogerfooger-inspired phaser is “a management freak’s dream”

Behringer has launched a re-creation of the Moogerfooger MF-103 phaser pedal from the Nineteen Nineties that has “its creator’s mark deeply imprinted into it”, in response to the model.

The brand new BM-13 Phaser additionally harks again to the Moog rackmounted MKPH phaser unit from the Seventies that got here earlier than the Moogerfooger sequence. The budget-friendly gear firm pays tribute to this authentic mannequin in a brand new promotional video, although the Moog emblem has been eliminated, and there’s no official point out of the Moog title.

The BM-13 is an analogue unit that has the identical 12-stage design as its inspiration, and it really works simply as properly with synthesisers because it does guitars, however you would primarily run a large number of devices by means of it.

As for its primary options, on the high of the pedal sits knobs for drive and output – to regulate your incoming sign and the ultimate output stage – with a Phaser management part beneath. On this half, you’ll discover dials for sweep, resonance, and a change for both six or 12 phases of filtering.

The final part of the pedal’s face provides you management over the LFO with a spread change, a price knob, and an quantity knob which you’ll even set to stun or kill. You may hear it in motion within the demo video beneath:

Every part of the pedal can both be despatched out or managed by way of an exterior supply. In addition to a primary audio out, there’s additionally an aux out which delivers the sign in section. This implies you may remodel any mono sign right into a stereo sign, and it’s also possible to cut up the sign by means of two completely different audio system.

The BM-13 is out there to pre-order now for £99/$129. You will discover out extra or find a seller by way of the Behringer web site.

Rachel is a DIY musician who started studying guitar and keyboard from her bed room at 14. She has written information and options for MusicTech since 2022, and likewise has bylines throughout Kerrang!, Guitar.com, and The Forty-5. Although a lover of heavy music, her responsible pleasure is 2000s pop.