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Behind the Motion: Symbolism – Jackson’s Artwork Weblog

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August 17, 2026
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Symbolism ushered in a brand new age of creativeness in European artwork making in an period when depicting actuality prevailed. These artists delved into delusion, spirituality, the unconscious, and the internal self to conjure fantastical worlds that evoke emotion and creativeness. Regardless of the impression of their works – and the renown of many members – Symbolism is an undersung motion. On this article, I discover its complicated origins and definition, element eight of the important thing artists, and show approaches to creating your personal Symbolist drawings and work.

Articles within the Strategies Sequence outline the which means and context of artwork making processes and provides sensible tutorials on work with them.


Behind the Movement: Symbolism

Definition: Symbolism describes the late-Nineteenth-Century motion of European artists who rejected depicting actuality – seen in Naturalism, Realism, and Impressionism – and as an alternative pursued the creativeness by reaching into mythology, fantasy, and the internal self, to conjure new worlds. The motion could be troublesome to outline as a result of the work of the Symbolists varies extensively in model, approach, and strategy, and since lots of the artists straddle different actions. But, these artists are broadly grouped by the worth they positioned in evoking emotion and concepts over the rational depiction of their actuality.

Ophelia with a Blue Wimple in the Water, 1900-5, Odilon Redon, Oil paint and pastel on paper
Ophelia with a Blue Wimple within the Water, 1900-5
Odilon Redon
Oil paint and pastel on paper, 54.5 x 49.5 cm | 21.5 x 19.5 in
Rijksmuseum

What’s the Impact of Symbolism?

Symbolism guided artwork historical past away from the depiction of the literal world towards the fantasised – opening up limitless potentialities for the artists who adopted. By exploring spirituality, delusion, psychology, and alternate worlds, the Symbolist artists asserted the significance of the internal self, desires, and the creativeness. Most of the ‘symbols’ of their works aren’t these of mainstream iconography, however as an alternative are particular person to every artist. This makes many Symbolist works obscure and troublesome to interpret. In doing so, they set a precedent for a lot of at present’s modern artwork, which resists narrative interpretation rather than feeling.

Symbolism additionally challenges the linearity of Western artwork historical past, which so typically credit progress to particular nations and set teams. This complication exists as a result of the motion emerged naturally from a collective frustration with typical artwork making throughout Europe. In consequence, the artists of the motion had been extensively dispersed, and plenty of by no means made private contact. The motion additionally emerged concurrently with Publish-Impressionism, Artwork Nouveau, and the Pre-Raphaelites, making this an extremely prolific interval in Western artwork historical past, but additionally certainly one of intricate overlaps. Most of the artists of these actions dabbled in Symbolism and vice-versa, making it amongst probably the most broadly grouped actions.

The Love Song, 1868-77, Sir Edward Burne-Jones, Oil on Canvas
The Love Tune, 1868-77
Sir Edward Burne-Jones
Oil on Canvas, 114.3 x 155.9 cm | 45 x 61.4 in
The Metropolitan Museum of Artwork

There’s additionally an enormous selection within the mediums utilized by the Symbolists, together with portray, drawing, printmaking, and sculpture. It’s unimaginable to explain a unifying Symbolist approach, since every artist was distinctive of their strategy. There may be virtually no aesthetic or technical connection between the flowing varieties in Munch’s work and the intricately layered watercolours by Moreau, but they’re related to the motion for his or her pursuit of private expression. For all these causes, Symbolism is much less mentioned than these artwork actions with clear borders and simple definition, regardless of together with among the most influential artists in European historical past.

The tales of the Symbolists encourage artists to be versatile of their strategy – to see what their very own creativeness might produce past counting on actuality as a supply. Following this vein, the Symbolists had been a necessary precursor to Surrealism, the place a lot of their concepts on the unconscious thoughts, desires, and alternate worlds had already been explored. Artists like Odilon Redon could also be thought of proto-Surrealist, for his daring invention. Modernism additionally shares a lot of Symbolism’s issues, having each been born from a collective frustration on the state of our world. We really feel the strain between the rejection of actuality and the need for change in artwork to today.

The Historical past of Symbolism

Symbolism isn’t purely a fantastic artwork motion. Its origins are literary slightly than visible – stemming from the 1880’s French and Belgian literary motion of the identical title. The time period ‘Symbolism’ had its inception when the poet Jean Moréas revealed his ‘Symbolist Manifesto’ in 1886. He inspired artists and writers to be extra evocative of their response to nature, in rejection of Naturalism and Romanticism, which he scathingly referred to as ‘dried out and shrivelled’. The Symbolist writers embrace Baudelaire, Verlaine, and Mallarmé, who’re introduced collectively for his or her rejection of the literary conventions of the day by imbuing mysticism and oblique suggestion into their works. Stéphane Mallarmé succinctly expressed his perception that poetry higher expressed actuality than depicting it:

‘To call an object is to suppress three-quarters of the enjoyment to be discovered within the poem… suggestion, that’s the dream.’

The River, ca.1864, Pierre Puvis de Chavannes, Oil on paper, laid down on canvas
The River, ca.1864
Pierre Puvis de Chavannes
Oil on paper, laid down on canvas, 129.5 x 252.1 cm | 51 x 99.3 in
The Metropolitan Museum of Artwork

A era of younger painters started to establish with and pull inspiration from Moréas’ concepts and the Symbolist writers, which set the artwork motion in movement. Symbolism additionally emerged in Europe at a time of accelerating industrialisation and scientific discovery. The ideology of the motion supplied an escape into the intangible from this harsh actuality. It allowed artists to obliquely specific their cynicism on what they perceived as a world social and ethical decline.

The primary era of Symbolists got here from the 1870s, and included Gustave Moreau, Odilon Redon, and Pierre Puvis de Chavannes. These artists had a profound affect on the Symbolists who adopted later within the Nineteenth century, together with Edvard Munch, Paul Gauguin, and James Ensor. Some artists straddle Symbolism and Artwork Nouveau, like Ferdinand Hodler, Gustav Klimt, and Aubrey Beardsley. The Symbolist artists additionally had a lot in frequent with the Pre-Raphaelites, so a few of their members span each actions too, like Edward Burne Jones and Evelyn de Morgan.

They invented alternate realities – both reaching to the previous by making use of mythological and non secular figures to the current day, turning to the long run to conjure new idyllic worlds, or reaching inward to discover their very own psyches. Through the use of metaphor and particular person symbols, they evoked which means and emotion of their work, with out straight transcribing reality.

The Dance of Life, 1899-1900, Edvard Munch, Oil on canvas
The Dance of Life, 1899-1900
Edvard Munch
Oil on canvas, 191 x 125 cm | 75.2 x 49.2 in
Nasjonal Museet

It’s troublesome to condense the efforts of the Symbolist artists, because the motion consists of such a broad group of artists. Among the key members have already been written about intimately on the Jackson’s Weblog, together with Edvard Munch, Gustav Klimt, and Aubrey Beardsley. For this text, I’ll particularly give attention to simply eight of them: Odilon Redon, Gustave Moreau, Sarah Bernhardt, Camille Claudel, James Ensor, Fernand Khnopff, Ferdinand Hodler and Paul Gauguin.


The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe, 1882, Odilon Redon, Lithography in black on paper
The Eye, Like a Unusual Balloon Strikes In direction of Infinity, plate one from To Edgar Poe, 1882
Odilon Redon
Lithography in black on paper, 26.3 x 19.8 cm | 10.4 x 7.8 in
Artwork Institute of Chicago

Odilon Redon virtually completely made black charcoal drawings and lithographs, typically known as ‘Les Noirs’, till he was in his fifties. In these drawings he developed a solid of distinctive characters and creatures, pulling from delusion, folks tales, his creativeness, and writers like Edgar Allen Poe. His monochrome palette aided the magical ambiance they conjure, making us expertise them like drawn data of a faraway land. He was nearly unknown till 1884, when he was in his forties, when J. Ok. Huysmans’ guide Towards Nature narrated the fictional story of an eccentric aristocrat who collected Redon’s work, which turned an essential work of Symbolist literature.

His works are extremely imaginative and incomparable to his contemporaries in model and approach. He wrote about struggling to search out his stride in realism, earlier than embracing the creativeness in his journal:

‘I’ve typically, as an train and as a sustenance, painted earlier than an object all the way down to the smallest accidents of its visible look; however the day left me unhappy and with an unsatiated thirst. The subsequent day I let the opposite supply run, that of creativeness, via the recollection of the varieties and I used to be then reassured and appeased.’

Sita, c.1893, Odilon Redon, Pastel, conte, and charcoal on paper
Sita, c.1893
Odilon Redon
Pastel, conte, and charcoal on paper, 53.6 x 37.7 cm | 21.1 x 14.8 in
Artwork Institute of Chicago

In 1886, he started exhibiting amongst the Impressionists and Les XX in Brussels, and by the Nineties, he started working in pastel and oil. After introducing color to his oeuvre for the primary time, he by no means made one other Noir after 1900. The affect of japonisme began appearing in his vibrant works, mixed with a rising curiosity in Buddhism, seen in Buddha, the place the flowers harmoniously embrace the meditating determine. This sense of peace and luxury present in nature can be seen in Pandora under, the place the mythological determine stands amidst a lush panorama, holding the field that can unleash irreversible evil into the world. It’s thought that this work was painted on the cusp of the outbreak of World Conflict I, so right here Redon’s Symbolism fuses collectively spirituality, mythology, and present affairs in a private dreamscape.

Pandora, ca.1914, Odilon Redon, Oil on canvas
Pandora, ca.1914
Odilon Redon
Oil on canvas, 143.5 x 62.2 cm | 56.5 x 24.5 in
The Metropolitan Museum of Artwork

Gustave Moreau introduced ardour, character, and jewel-like color to his opulently textured work and drawings, stuffed with mythological, biblical and imaginary topics. He spent his life in Paris and was straight influenced by the Romantic artists Delacroix and Chassériau for the emotive objective of their works. He travelled to Italy on one complete tour in 1857, taking him throughout the nation to check the artwork of the Renaissance. We see the affect of the Masters in his linear figuration and wealthy palette.

He started making works in a Symbolist vein within the 1860s, making him a forerunner of the motion. By reinterpreting classical themes in his dreamlike scapes, he intentionally introduced recent conviction to tales that had been fading in relevance. He intentionally referred to as himself a ‘historical past painter’, to breathe new life into the style. He was additionally extremely prolific, making over 15,000 works in his lifetime. Working as an influential tutor on the École des Beaux-Arts, he counted Georges Rouault and Henri Matisse among the many college students he impressed.

He wrote about his working technique, ‘I imagine neither in what I contact nor what I see. I solely imagine in what I don’t see, and solely in what I really feel.’

Inspiration, c.1893, Gustave Moreau, Watercolour, gouache, pen and blue ink on paper
Inspiration, c.1893
Gustave Moreau
Watercolour, gouache, pen and blue ink on paper, 29.9 x 23 cm | 11.8 x 9 in
Artwork Institute of Chicago

Like his contemporaries, he was additionally a collector of artwork and seemed to Indian and Persian miniatures, Renaissance engravings, and Japanese prints for visible inspiration. We see his visible references converging in works like Salomé Dancing Earlier than Herod, with proof of Islamic, Etruscan, Roman, Egyptian, Persian, Indian, and Chinese language artwork, clothes and structure fused in a single picture, to create this new realm. The shimmering impasto utility of the paint and deep tone within the vaulted room of the palace improve the fantasy and exoticism of the work. Artworks with parts of ‘exoticism’ aren’t those who merely depict objects from different cultures, however those who combine them with fantasy, thriller and stereotype, with out regard to their precise which means.

Salomé Dancing Before Herod, 1876, Gustave Moreau, Oil on canvas
Salomé Dancing Earlier than Herod, 1876
Gustave Moreau
Oil on canvas, 143.5 x 104.3 cm | 56.5 x 41 in
Hammer Museum

One thematic attribute of the Symbolist motion is the inclusion of the contrasting archetypes of the heroine and femme fatale – one being a lady who represents order and obligation, and the opposite temptation and chaos. Mythology was a font of inspiration for these characters, drawing on tales of the sirens, goddesses and sphinxes. We see these concepts run via Moreau’s work, together with his most famed work, Oedipus and the Sphinx, whose victims lay strewn at their toes, while the sphinx prowls up Oedipus’ chest.

Oedipus and the Sphinx, 1864, Gustave Moreau, Oil on canvas
Oedipus and the Sphinx, 1864
Gustave Moreau
Oil on canvas, 206.4 x 104.8 cm | 81.3 x 41.3 in
The Metropolitan Museum of Artwork

Sarah Bernhardt was an internationally famed actress – whose picture is finest remembered at present within the career-launching posters Alphonse Mucha designed for her position as Gismonda. Though she was a key muse of Artwork Nouveau, Bernhardt was an exhibiting and expert artist in her personal proper. She additionally embraced the Symbolist thought of the femme fatale, seen right here in her fantastical ink effectively, Self-Portrait as a Chimera, the place she positions her personal head atop a physique full with draconic claws, feline again legs, and bat-like wings.

Self-Portrait as a Chimera, c.1880, Sarah Bernhardt, Brass ink well
Self-Portrait as a Chimera, c.1880
Sarah Bernhardt
Brass ink effectively, 31.8 × 34.9 x 31.8 cm | 12.5 x 13.7 x 12.5 in
Artwork Institute of Chicago

Bernhardt was not the one Symbolist sculptor – Camille Claudel additionally created shifting figurative works that embody the characters of delusion and emotion, made in plaster, marble, and bronze. Of their period, it was uncommon for girls to follow sculpture, which was seen as a masculine discipline, and required the examine of the nude, which was nonetheless deemed improper for girls. Claudel pursued sculpture anyway, below the mentorship of Alfred Boucher and later Auguste Rodin, who turned her lover. Her Symbolist works introspectively embody themes of affection and loss. She amazed critics on the reception of her masterwork, The Age of Maturity, with one critic stating, ‘We are able to not name Mademoiselle Claudel a scholar of Rodin; she is a rival.’

The Intrigue, 1911, James Ensor, Oil on Canvas
The Intrigue, 1911
James Ensor
Oil on Canvas, 94.6 x 112.4 cm | 37.2 x 44.3 in
Minneapolis Institute of Artwork

Les XX had been an organised group of 20 Belgian artists on the reducing fringe of fantastic artwork. They exhibited collectively after being united in 1883 by their frustration on the Salon and L’Essor – a gaggle fashioned earlier than Les XX that accepted conventional artists too, as an alternative of focusing purely on the avant garde. They held an exhibition to showcase their members yearly for a decade, and invited 20 worldwide artists to hitch them every time, which included artists like Cézanne, Van Gogh, and Monet. As time progressed, they invited new artists to hitch, and the numerous members of Les XX labored in various types – incorporating Publish-Impressionism, Fauvism, and Symbolism.

Self-Portrait with Masks, 1937, James Ensor, Oil on canvas
Self-Portrait with Masks, 1937
James Ensor
Oil on canvas, 31.1 x 24.4 cm | 12.2 x 9.6 in
Philadelphia Museum of Artwork

James Ensor was their most distinguished Symbolist member, who used carnivalesque characters and skeletons to kind macabre crowds, combining themes of mortality with social satire. Masks had been a key motif in his works, which embodied the facade folks current to the world to show their hypocrisy and absurdity. This morbidity and sense of humour could be seen within the Netherlandish artists of the previous he was impressed by, resembling Hieronymous Bosch and Pieter Bruegel the Elder. We all know he was preoccupied with mortality from his writings, the place he lamented his worry of dying from an early age. His work is considered extremely influential in city artwork, famous by the artwork historian Robert Rosenblum, Ensor had ‘opened a brand new world of city anxiousness that might quickly turn out to be a central theme in Northern European portray’, seen within the work by artists like George Grosz and Otto Dix sooner or later.

The Offering, 1891, Fernand Khnopff, Pastel, graphite, and chalk on paper
The Providing, 1891
Fernand Khnopff
Pastel, graphite, and chalk on paper, 34.9 x 74.9 cm | 13.7 x 29.5 in
The Metropolitan Museum of Artwork

Fernand Khnopff was one other founding member of Les XX. He was motivated to create Symbolist artworks after an early profession in Naturalism, born out of frustration on the lack of spirituality within the artwork of his day. In a number of works, he invoked the god of sleep, Hypnos, since desires and the unconscious had been key to his work. He typically portrayed girls within the Symbolist roles of angel or temptress, epitomised by his masterwork The Caress of the Sphinx. His works have a comfortable high quality, with subtle tone and color, organized into experimental compositions that promote stability and concord. They’re quietly magical, versus among the different Symbolists whose works loudly envelop us of their worlds.

The Dream of the Shepherd, 1896, Ferdinand Hodler, Oil on canvas
The Dream of the Shepherd, 1896
Ferdinand Hodler
Oil on canvas, 250.2 x 130.5 cm | 98.5 x 51.4 in
The Metropolitan Museum of Artwork

The Swiss artist Ferdinand Hodler started his profession as a considerably typical painter of landscapes and portraiture earlier than he painted Evening in 1890 in his late thirties. The hunched-over determine of demise, shrouded in black, crouches amongst a gaggle of sleeping nudes. While a person within the centre of the composition is startled awake and recoils in terror from the phantom determine. The work was a pivotal experiment in evoking sleep and demise and set the precedent for his works to observe, depicting allegorical figures, typically stylised into rhythmic compositions.

He referred to as his approach ‘parallelism’, which asserted the significance of symmetry, repetition, and the symbolic potential in vertical and horizontal traces. Within the above portray, The Dream of the Shepherd, a shepherd kneels atop a hillside, bodily struck by the imaginative and prescient of ethereal girls dancing above him. Like many Symbolist works, the narrative is evasive, however we’re left with sturdy concepts on enlightenment, mortality, need, the unconscious, and nature. This work was exhibited in 1896 and was among the many first of his works to earn him notoriety.

Study for a Symbolist Painting, ca. 1900-10, Ferdinand Hodler, Pen and ink on paper
Examine for a Symbolist Portray, ca. 1900-10
Ferdinand Hodler
Pen and ink on paper, 18.9 x 16.2 cm | 7.4 x 6.4 in
Philadelphia Museum of Artwork

The primary definition of Symbolism was revealed in 1891, in an article about Paul Gauguin’s work by Albert Aurier, who declared him the frontrunner, and outlined the motion because the ‘portray of concepts’. By this level, the sooner era of Symbolists had made their mark on European artwork because the 1870s. Gauguin’s first intentional Symbolist work was The Imaginative and prescient After the Sermon, the place he depicted pious Breton girls experiencing a imaginative and prescient from Genesis within the Bible, the place Jacob wrestled with an angel. By combining the biblical along with his modern expertise in a single image aircraft, he invitations us right into a Symbolist dream world. He wrote in regards to the portray in a letter to Van Gogh:

‘For me the panorama and the combat solely exist within the creativeness of the folks praying after the sermon.’

Ia Orana Maria (Hail Mary), 1891, Paul Gauguin, Oil on canvas
Ia Orana Maria (Hail Mary), 1891
Paul Gauguin
Oil on canvas, 113.7 x 87.6 cm | 44.8 x 34.5 in
The Metropolitan Museum of Artwork

Gauguin pursued the Symbolist best of turning away from actuality and industrialisation in a really literal sense. In 1891, on the age of 43, he travelled to Tahiti, abandoning his spouse and kids in pursuit of an untouched inventive ‘paradise’. Tahiti had been colonised by the French since 1880, and Gauguin was disillusioned by the Western affect on the nation when he arrived. In response, he deliberately sought out indigenous folks and tradition throughout the islands of French Polynesia, and painted them into bucolic works.

Though these work are amongst probably the most well-known of the Symbolist motion, they’re problematic for his or her exoticism, his pursuit of the ‘primitive’, and the eroticisation of the native girls and women he painted. Regardless of his recorded stance in opposition to French colonisation, the pictures we’re left with are consultant of a white male-centric perspective on indigeneity from the place of the coloniser, slightly than a real illustration of his topics’ experiences. He had sexual relationships with a lot of his topics, together with Teha’amana – a 13-year-old baby that he took as his ‘native spouse’. This was frequent within the French colonies, and the vast majority of these ‘marriages’ weren’t legally binding, to profit the boys with meals, care, and sexual relations with out giving them any rights.

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), 1893, Paul Gauguin, Oil on jute canvas
Merahi metua no Tehamana (Tehamana Has Many Mother and father or The Ancestors of Tehamana), 1893
Paul Gauguin
Oil on jute canvas, 75 × 53 cm | 29.5 x 20.9 in
Artwork Institute of Chicago

Gauguin went again to France in 1893 due to poor well being, and on his everlasting return to Tahiti in 1895, Teha’amana refused to dwell with him once more. Regardless of the distressing reality of his time in French Polynesia, Gauguin’s works are key to the established canonical historical past of the Symbolist motion.

Demonstration of Symbolist Drawing Strategies

It’s unimaginable to show a singular ‘Symbolist drawing approach’ as a result of the artists of the motion weren’t aesthetically or materially unified. Most of the Symbolist artists had been prolific draftsmen to organize and create their works, together with Moreau, who made greater than 40 preparatory works for Salomé Dancing Earlier than Herod and left behind over 10,000 drawings. Odilon Redon was additionally a champion of drawing in his charcoal and lithographic works. I used to be impressed by his portray of The Cyclops to make a model of my very own in pastel, by creating my very own dream panorama and characters following the Symbolist ideology.

Behind the Movement: Symbolism

To start, I collected my supplies. I labored on a on a sheet of Artwork Spectrum Colourfix Authentic Pastel Paper, and drew on it with a choice of Jackson’s Handmade Smooth Pastels, in Cadmium Orange, Pale Peach, Fade Cobalt Blue, Deep Wine Pink, Pure Lavender, Darkish Lavender Blue, Pale Cobalt Blue, Salmon Pink, Lime Inexperienced, Burnt Sienna, Darkish Violet, Mild Inexperienced Ochre, Burnt Carmine, Burnt Ochre, Blue Violet, Olive, and Smalt Blue White.

Behind the Movement: Symbolism

To start, I calmly sketched the composition of my drawing utilizing a blue colored pencil, that might later be utterly lined by the layers of soppy pastel.

Behind the Movement: Symbolism

Then I methodically labored across the drawing with my choice of Jackson’s handmade comfortable pastels, to determine the primary layer of color.

Behind the Movement: Symbolism

On the second layer, I added extra texture and depth of color, by layering the pastels in hatched strokes. I picked out some element across the Cyclops’ eye, the grass he lies in, and the blue mild reflecting from his pores and skin.

Behind the Movement: Symbolism

To finish my drawing, I added the nymph Galatea within the background, trying down on the Cyclops from a rocky outcrop on the seaside within the distance.

Demonstration of Symbolist Portray Strategies

It’s equally as unimaginable to outline a single Symbolist portray approach, because the majority of the artists of the motion developed individualistic portray types. As an alternative, I wished to work with one of many prevalent topics of the Symbolist motion – the femme fatale. To do that, I created my very own portray of Oedipus and the Sphinx, impressed by Gustave Moreau and Fernand Khnopff.

Behind the Movement: Symbolism

For my oil portray, I labored on a sheet of Arches Huile Oil Portray Paper, utilizing a restricted palette of Jackson’s Skilled Oil Colors, in French Ultramarine Blue, Scarlet Lake, Yellow Ochre, Burnt Umber, and Titanium White.

Behind the Movement: Symbolism

To start my portray I made a unfastened underpainting utilizing my Burnt Umber, dispersed thinly with a contact of medium. I drew the characters with my brush, and blocked in the position of a few areas of darker tone.

Behind the Movement: Symbolism

Subsequent, I started portray my approach across the composition, starting with the Sphinx herself. Since my palette was restricted, this primary stage was extra so a tonal examine – painted in Burnt Umber, Yellow Ochre, and Titanium White.

Behind the Movement: Symbolism

To complete my portray, I added the jagged mountains within the background, and the startled Oedipus. As soon as full, this temporary work on oil paper might be used as a preliminary examine for a extra developed portray, or painted once more with an altered composition, following Moreau’s detailed preparatory course of.

Additional Studying

Behind the Motion: Artwork Nouveau

Recreating the Color Palette of Edvard Munch

Behind the Motion: Northern Renaissance

Smooth Pastel for Newcomers: What You Have to Get Began

Store Artwork Provides at jacksonsart.com

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