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Artwork Via Symbols: The Lion

Admin by Admin
September 6, 2026
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Artwork Via Symbols: The Lion
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Lions prowl, devour, and lounge all through artwork historical past, with symbolism rooted in our innate primal worry of predatory creatures, paired with our surprise within the pure world. Throughout time and cultures, lions have symbolised energy for his or her bodily prowess and poise, naturally correlating them with rulers and royalty. Past this predominant interpretation, lions embody a effectively of deeper which means in artwork, from divinity to desires, heritage, and luck.

The Artwork Via Symbols collection explores the interpretation of symbols all through artwork historical past – whether or not cultural, spiritual, folkloric, or private. Every article analyses a collection of artworks earlier than providing an art-making tutorial impressed by the image so that you can attempt.


Deciphering the Lion

Lion Standing, 1833, Eugène Delacroix
Lion Standing, 1833
Eugène Delacroix
Lithograph, 14.5 x 13.5 cm | 5.7 x 5.3 in
The Metropolitan Museum of Artwork

“Tigers, panthers, jaguars, lions, and so forth. Why is it that these items have stirred me a lot? Can or not it’s as a result of I’ve gone outdoors the on a regular basis ideas which might be my world; away from the road that’s my total universe?” – Eugène Delacroix

A lion seems again at us within the earliest recognized depiction of a non secular being in historical past, within the type of a mammoth-tusk sculpture crafted by early people. It fuses collectively the pinnacle of a now-extinct cave lion with a humanoid physique. The miraculous 40,000-year-old Lion Man was found in southern Germany in 1939, and punctiliously reconstructed from fragments. An experiment concluded that it will have taken round 400 hours to sculpt utilizing the instruments accessible on the time, which is a substantial quantity of effort for an period prioritising survival. Though the mythology of the Lion Man is misplaced to time, it’s clear that its creation was an vital non secular funding to our historic ancestors.

Art through Symbols - the Lion

In Christian artwork, the lion has been repeatedly reinvented as a logo for each divinity and evil, from the fables instructed about their behaviour in illuminated manuscripts, to stomach-turning Baroque masterpieces depicting Daniel within the lion’s den. Themes of mortality are naturally tied to lions, a mirrored image of their fearsome power as predators. Apparently, nearly all of work of lions in battle are male, though we all know that lionesses are the true hunters of their species. Maybe probably the most potent symbolism of the combating lion is after we see the inverse of their anticipated predator-prey dynamic – when the formidable lion is made into the weaker celebration, to claim the inconceivable power of a secondary character.

Art through Symbols - the Lion

Western artists grew fascinated with lions via the worldwide commerce of animals, conjuring fantasies of lands unknown, depictions which stay at this time as examples of exoticism in artwork. But lions have additionally been repeatedly depicted by artists from the areas they’re native to, marking them as symbols of heritage and identification throughout Africa and Asia. In structure, sculptures of lions populate world monuments and vital entranceways, just like the huge lions of Trafalgar Sq. by Edwin Landseer, the lions flanking the doorway to the Artwork Institute of Chicago by Edward Kemeys, and the bronze lions guarding doorways within the Summer time Palace in Beijing. The world over, that includes the ‘king of the beasts’ innately communicates significance and grandeur.

Risk and Divine Safety

Daniel in the Lions Den, c. 1614-16, Peter Paul Rubens
Daniel within the Lions Den, c. 1614-16
Peter Paul Rubens
Oil on canvas, 224.2 x 330.5 cm | 88.3 x 130.1 in
Nationwide Gallery of Artwork

When the Biblical character Daniel refused to cease praying to God underneath the rule of the Persian king Darius, he was thrown to the lions as punishment. However the lions didn’t devour him – as a substitute they peacefully waited alongside him, while Daniel continued his prayers. This second of non secular intervention, the place God protected Daniel from sure loss of life in reward for his religion, has been a lot referenced all through artwork historical past. It’s composed immersively in Daniel within the Lions Den by Rubens, who gave the lions characterful expressions, twisted in annoyance that they’ll’t have their feast. Whereas Daniel seems to the heavens above him, palms clasped in prayer, a number of of the lions make eye contact with us, the viewer, as if questioning our place within the cave. Painted at an enormous scale, these life-sized lions create a threatening sense that we could also be their subsequent sufferer if we select to reside with out devotion to God. On this story, the lions symbolise the hostile and lethal forces on this planet, conquered by religion.

St Jerome and St Catherine of Alexandria, ca.1480-90, Anonymous artist
St Jerome and St Catherine of Alexandria, c.1480-90
Nameless artist, Bruges or Brussels
Oil on wooden, 84.5 cm x 61 cm | 33.3 x 24 in
Rijksmuseum

This isn’t the one occasion of lions changing into docile via divine intervention. Within the story of Saint Jerome, he was stated to have been instructing college students when a lion got here limping towards him. Everybody else fled in worry, however Jerome stayed and examined the lion’s foot. There was a thorn caught in it, which Jerome fastidiously eliminated, and in gratitude the lion stayed with him for the remainder of his life. There are numerous work depicting Jerome with the lion, that are symbolic of his empathy, compassion and religion.

Goals and Mortality

The Repast of the Lion, c.1907, Henri Rousseau
The Repast of the Lion, c. 1907
Henri Rousseau
Oil on canvas, 113.7 × 160 cm | 44.8 x 63 in
The Metropolitan Museum of Artwork

Henri Rousseau painted his dreamlike jungle scenes by referring to vegetation in Paris’ botanical gardens. Lions seem in a number of of his work, together with The Sleeping Gypsy, The Dream, and The Lion is Hungry. In his work The Repast of the Lion, we see a lion immersed within the foliage, devouring a leopard, while the sunshine begins to both dip or rise. The cycles of the solar and moon seem in every of his leonine work, pairing the symbolism of mortality and rebirth with predator and prey.

The Sleeping Gypsy is amongst probably the most famed work on this planet. In Rousseau’s description of the work, he wrote:

“Though the predatory animal is wild, it hesitates to leap upon its sufferer, who has fallen quick asleep from exhaustion.”

The stress between the vulnerability of the sleeping lady and the potential risk of violence from the lion is tangible, but – at the least on this second – they coexist peacefully. Maybe the lion is even defending her from one other foe – us, the viewer. The sleeper lies serenely on the sandbank, nonetheless clutching her strolling stick, and garbed in flowing material that’s gently illuminated within the moonlight, her eyes simply starting to open. The lion’s eye attracts our consideration – large open as if struck by indecision over the girl’s destiny, and echoed by the sphere of the moon. The portray stays open to large interpretation because it’s unclear if the lion is actual or a part of the dream. For my part, the lion symbolises the unknowable timing of loss of life.

The Lion Hunt – Energy and Vulnerability

In historic Assyria, killing a lion was reserved for kings as a spectacle of energy, symbolising their power and skill to guard their topics. This historical past is immortalised within the masterwork of the age, the Lion Hunt of Ashurbanipal – a collection of reliefs carved in 645-635 BC, displaying asiatic lions launched into an enviornment for King Ashurbanipal to slaughter. The realism with which the lions are rendered is unimaginable for such an early interval – they twist in ache, lunge in assault, and lie serene in loss of life.

Hercules and the Nemean Lion, late 15th - early 16th Century, Attributed to Moderno
Hercules and the Nemean Lion, late Fifteenth-early sixteenth Century
Attributed to Moderno
Bronze, 7.9 × 6.6 cm | 3.1 x 2.6 in
Nationwide Gallery of Artwork

Later, the Historical Greeks reasserted the importance of killing a lion via the parable of Hercules, within the first of his twelve labours. One in all his challenges was to kill the Nemean lion, an ideal beast whose coat was invulnerable to mortal weapons and whose claws have been sharp sufficient to chop via any armour. Hercules initially attacked the lion by capturing it with an arrow however the arrow bounced off its impervious conceal. He was finally in a position to kill it by beautiful and strangling it. He then skinned the lion and wore its pelt for the rest of his trials, asserting himself as a formidable foe. The Nemean lion is a logo for sure loss of life, and by conquering it, Hercules demonstrated that his power might defy nature.

Lion Hunt, 1621, Peter Paul Rubens and Jan Wildens
Lion Hunt, 1621
Peter Paul Rubens and Jan Wildens
Oil on canvas, 248.7 x 377.3 cm | 98 x 148.5 in
Alte Pinakothek

The lion hunt was revived as a topic by the Baroque artists for its churning physicality. Notably, Rubens painted a collection of looking work, that includes hippopotami, crocodiles, boar, wolves, foxes, tigers, and lions. A few of these works have been commissioned by the Elector of Bavaria, for the Schleißheim Palace in Germany. Designed to take the place of monumental tapestries in palatial buildings, the massive scale of Rubens’ hunt work set them aside within the style. In his work Lion Hunt, the position of ‘prey’ is turned on its head. The human hunters discover themselves violently underneath assault because the lions drag three of their celebration to the bottom, making a dramatic diagonal composition with the determine in white tossed from his white horse. The horses check with these in Leonardo da Vinci’s misplaced work, The Battle of Anghiari. These lions symbolise the wrestle between the mind of man, and the chaos of nature.

Lion Hunt, 1860-61, Eugène Delacroix
Lion Hunt, 1860-61
Eugène Delacroix
Oil on canvas, 76.5 × 98.5 cm | 30.1 x 38.8 in
Artwork Institute of Chicago

Later, within the Romantic interval, artists reimagined the hunt anew as a topic representing emotional turbulence. In 1832, Eugène Delacroix was despatched on a French diplomatic mission to Algeria and Morocco, as France was asserting colonial energy within the area on the time. There he encountered North African tradition first-hand, and have become enamoured with it. Within the wake of the journey he painted a collection of lion hunt work, impressed by the tradition he encountered, fused with inspiration from Rubens hunt work. Since he didn’t really see a lion hunt on his journey, the works play into European fantasies concerning the Arab world by theatrically bringing imagined scenes to life, and incorporating items of conventional costume. In his hunt work, the lions develop into dually symbolic of exoticism and energy.

Personification and Fascination

Delacroix didn’t simply fantasise about lions; he additionally studied them within the Jardin des Plantes zoo and the zoological museum in Paris. He was shut buddies with the sculptor Antoine-Louis Barye, who gave him permission to work there, and generally labored with him. Delacroix, specifically, gave his lions humanoid qualities, each in character and pose. In 1829 he wrote a letter to Barye when he heard {that a} captive lion known as Coco had died, “The lion is useless. Trip at full pace!”. They have been in a position to research Coco’s carcass, and witness its dissection, the place Delacroix famous that the lion’s musculature reminded him of a human. These research are the rationale Delacroix was in a position to develop lions with distinct character in his work. In his works, lions develop into symbolic of his personal fascination, and projected emotion.

Studies of Lions, c. 1829, Eugène Delacroix
Research of Lions, c. 1829
Eugène Delacroix
Graphite on paper, 22.7 × 34.2 cm | 8.9 x 13.5 in
Artwork Institute of Chicago

Antoine-Louis Barye is greatest remembered as an animalier sculptor, who fashioned creatures with unimaginable musculature in dramatic poses. Apart from his sculptural work, he additionally made compelling watercolours, which place the animals he studied within the zoo in imagined ‘wild’ landscapes. His palette is proto-Tonalist, and his use of dusky colors to render generic, desolate terrain offers the works a fantastical high quality. In his work Lion Sleeping, the outcrop the creature sleeps in opposition to diffuses ephemerally into the panorama past, as if disappearing into its desires.

Lion Sleeping, 1810-75, Antoine-Louis Barye
Lion Sleeping, 1810-75
Antoine-Louis Barye
Watercolour on paper, 23.3 x 29.5 cm | 9.2 x 11.6 in
The Metropolitan Museum of Artwork

Delacroix and Barye are usually not the one notable artists to check lions from life – Rosa Bonheur additionally made plenty of sharply noticed work of lions. Remarkably, she stored a pair of Nubian lions and their cubs within the grounds of her chateau studio in Fontainbleu, France. In her 1881 portray, The Lion at Residence, they’re immortalised in a household portrait of kinds. Within the work they’re depicted with the poise and dignity of the Aristocracy, additionally famous in her portrait El Cid, whose title correlates the animal with the celebrated Spanish struggle hero.

Drugs and Struggle

In Historical Egypt, the goddess of struggle and medication, Sekhmet, was depicted with the pinnacle of a lion. She represented the vengeful side of the solar God Ra’s energy and was generally depicted with a solar disk atop her head. Related to the blistering warmth of the solar, she might ship plagues and scorching desert circumstances. In a single fantasy, Sekhmet was overcome with such bloodlust after battle that she couldn’t include her wrath, and virtually destroyed all of humanity. To cease the bloodshed, Ra and the gods devised a plan to dye a lake stuffed with beer purple, so she would mistake it for blood. When she drank from it she grew to become so drunk that she was compelled to cease her deadly rampage. In her annual celebration every year, the Egyptians held a drunken celebration of their very own to reenact the quelling of the Goddess’s violent fury.

Statue of the Goddess Sekhmet, c. 1386–1347 BCE, New Kingdom, possibly Upper Egypt
Statue of the Goddess Sekhmet, c. 1386–1347 BCE
New Kingdom, probably Higher Egypt
Granodiorite sculpture, 213 × 49.5 × 97.5 cm | 83.9 x 19.5 x 38.4 in
The Metropolitan Museum of Artwork

Within the Egyptian fantasy, the lion symbolised energy and violence. These associations with warfare and martial energy have been globally established and recur throughout cultures and all through historical past. The lion as a logo of navy would possibly persists – from St Mark’s lion of the Venetians to King Richard I of England, who was often known as ‘Richard the Lionheart’. The affiliation between the Aristocracy and bodily energy makes the lion a potent image of dominating drive.

Concern of the Unknown, Resurrection, and the Satan

The manuscript illuminators and painters of the medieval age have been unlikely to ever encounter lions of their lifetimes – however the lion featured repeatedly as a non secular character that needed to be illustrated. These artisans needed to depend on depictions of lions from bestiaries and their very own invention, and infrequently based mostly them on the animals they have been in a position to observe, like canine. This led to lions being depicted with outlandish, canine, and even alien options. Since these artists might solely think about what a lion would possibly appear to be, and have been knowledgeable by tales of them as being relentlessly bloodthirsty, their unusual depictions symbolise the worry of the unknown.

Lion, after 1200
Unknown artist, Burgos, Castile-León, Spain
Lion, after 1200
Unknown artist, Burgos, Castile-León, Spain
Fresco mounted on canvas, 332.7 × 335.3 cm | 131 x 132 in
The Metropolitan Museum of Artwork

In lots of bestiaries, the lion represented Jesus, since folks believed that lion cubs would lie lifeless of their caves till they heard the roar of their father – mirroring Christ’s resurrection after loss of life. Different accounts counsel that lions slept with their eyes open, at all times able to pounce, and that they have been intelligent sufficient to cowl their very own tracks. However, the lion was additionally linked to the satan, their fearsome roar and relentless starvation symbolically tied to the satan preying on weak souls. On this period, the lion was additionally generally invoked by preachers as an allegorical image of the lethal sins of satisfaction, wrath, and gluttony. Subsequently they grew to become figures of divinity, evil, and thriller, carrying wealthy but contradictory symbolism.

Two Lions, ca. 1270
Unknown artist, Franco-Flemish
Two Lions, c. 1270
Unknown artist, Franco-Flemish
Illuminated manuscript, tempera colours, gold leaf, and ink, 19.1 × 14.3 cm | 7.5 x 5.6 in
Getty Museum

Heritage and Royalty

Artwork historians have advised that Henry Ossawa Tanner – famous as the primary internationally acclaimed African American artist – noticed lions as symbolic of his heritage. He would have seen lions within the zoo the place he grew up in Philadelphia, and later when he moved to Paris, and so they seem in a number of of his work. The subject material of his work was primarily spiritual from 1895 onwards, having grown up in a religious Christian household, with a bishop for a father, and a missionary as a mom. Between 1897 and 1899, he travelled to Palestine and Egypt to check Biblical landscapes and tradition first-hand. There he created research of the desert for works together with Lions within the Desert and Lion Ingesting, earlier than including the lions themselves later within the studio. In Lions within the Desert, the lion within the centre lifts its head into golden gentle, flanked by two lionesses within the background. The illumination on its face offers the creature a noble impact, as if the sunshine has chosen it alone to shine on.

Lions within the Desert, ca. 1897-1900
Henry Ossawa Tanner
Oil on canvas, 39.5 x 74.5 cm | 15.6 x 29.3 in
Smithsonian American Artwork Museum

The Akan folks, primarily from present-day Ghana, used the lion as a logo for his or her royalty from the 1800s. The lion embodied all the qualities required in a pacesetter – power, bravery, and knowledge – and was additionally an animal native to the area. Gold was a prized materials reserved just for the elite in society, and these two ornaments have been crafted utilizing the lost-wax casting technique. The artists who made sculptural objects reminiscent of these claimed to be descendants of Fusu Kwabi – the primary goldsmith of the Akan/Asante folks – who descended from heaven to show them his strategies.

Lion Ornaments, 19th Century, Asante-Akan artist, Ghana
Lion Ornaments, nineteenth Century
Asante-Akan artist, Ghana
Gold decoration, 3.8 x 5.4 x 5.7cm | 1.5 x 2.1 x 2.2 in
The Metropolitan Museum of Artwork

The image of the lion was adopted in British heraldry. Three lions seem on the coat of arms for England, first launched by Edward III, and as ‘the Rampant Lion’, which is the Royal banner of Scotland. As a consequence of this, the lion has generally appeared in artwork as a logo of Britain and its monarchy. Lions have been even stored within the Tower of London for round 600 years as a part of the Royal menagerie, which started in 1235 when Holy Roman Emperor Frederick II gave Henry III three lions.

A Lion Attacking a Stag, 1765-6, George Stubbs
A Lion Attacking a Stag, 1765-66
George Stubbs
Oil on canvas, 243.8 × 332.7 cm | 96 x 131 in
Yale Heart for British Artwork

George Stubbs is a famend British animal painter, greatest recognized for his portray of the horse Whistlejacket. He repeatedly revisited the topic of lions attacking horses, in pursuit of the chic – when moments of magnificence and terror collide. It’s recognized that Stubbs had a distaste for the monarchy and deliberately prevented royal commissions. In works reminiscent of A Lion Attacking a Stag, a lion gleefully smiles on prime of its helpless sufferer. It’s thought that Stubbs used the image of the lion to signify Nice Britain, right here dominating a stag – obliquely symbolising different nations. His depictions of lions scary white horses have additionally been interpreted as allegories of the Jacobite trigger, reminiscent of in his portray Horse Frightened by a Lion. Right here, the lion is believed to signify England, subduing the white horse that symbolises the Hanoverian monarchy of George III. Stubbs second son was even named Charles Edward, after the Stuart who led the failed Jacobite rebellion.

Good Luck and Safety

The lion has nice cultural significance throughout Asia – notably within the Chinese language custom of the ‘lion dance’ the place folks carry out collectively as one adorned beast, underneath a posh costume puppet. The custom started in the course of the Han dynasty, and unfold throughout Asia to create iterations in Japan, South Korea, Taiwan, and Vietnam. Broadly, these performances symbolically chase away evil, and ship good luck and fortune. On this woodblock print by Kitagawa Utamaro, we see a number of folks performing because the lion underneath a sheet of cloth, watched by onlookers via a display window and from the road. The chaos of their legs beneath transferring in several instructions, contrasts with the placidity of the onlookers, and the deliberate course of the lion’s head, which follows a little bit boy operating away.

The Lion Dance, 1789, Kitagawa Utamaro
The Lion Dance, 1789
Kitagawa Utamaro
Woodblock print, 21 x 36.2 cm | 8.3 x 14.3 in
The Metropolitan Museum of Artwork

In line with an artwork historic anecdote, in the course of the 1840s the Japanese grasp Katsushika Hokusai drew a Chinese language lion virtually each morning – totalling 219 surviving drawings. Hokusai’s biographer recorded that in a interval of poverty, Hokusai would draw a Chinese language lion or dancer and throw it out of the window each day, to chase away evil, and restore his household with fortune.

Six Lions, 19th Century, Katsushika Hokusai
Six Lions, nineteenth Century
Katsushika Hokusai
Ink on paper, 44.1 × 29.7 cm | 17.4 x 11.7 in
Minneapolis Institute of Artwork

The Lion – Artwork Immediate

A Lion, Full Face, August 30, 1841, Eugène Delacroix
A Lion, Full Face, August 30, 1841
Eugène Delacroix
Graphite drawing, 11.7 x 18.3 cm | 4.6 x 7.2 in
The Metropolitan Museum of Artwork

I used to be impressed by the research Delacroix, Barye, and Bonheur drew from lions to organize for his or her works, and the fantasy of the lion as a personality in illuminated manuscripts. For this artwork immediate, we’ll create a web page of research of lions, fastidiously rendered in ink, earlier than making a miniature gouache portray of an imagined medieval lion.

For this artwork immediate you’ll want:

Jackson’s Acrylic Ink in Burnt Umber

Jackson’s Two Rivers Chilly Pressed Watercolour Paper

A collection of watercolour brushes

A collection of gouache paints, I used: Holbein gouache’s in Black, Tremendous Opaque White, Silver Gray, Darkish Brown, Vintage Gold, Oriental Blue, Kerria Japonica Yellow, and Crimson

Jackson’s Miniature Artificial Brushes, I used: #12/0 Angular, #20/0 Liner, and #10/0 Brilliant

Two jars of fresh water

A glass or ceramic palette

Art through Symbols - the Lion

With none actual lions at hand, to start my sheet of research I looked for images of lions on-line and from documentary footage. As soon as I discovered one I preferred, I started engaged on a tonal research, by diluting the acrylic ink with water throughout a few small ceramic palettes, and flippantly sketching the lion’s options in a light-weight wash.

Art through Symbols - the Lion

I labored progressively from gentle to darkish in every research, blocking in areas of flat tone, and including outlines the place crucial. I added the lion’s fur with hatching by wrapping it across the type of their our bodies to counsel quantity.

The Lion in art history

Art through Symbols - the Lion

To finish every research, I utilized some ink straight from the bottle for the darkest particulars, like choosing out the lion’s facial options and shadows within the decrease physique.

Art through Symbols - the Lion

Art prompts - A study of lions

As soon as I’d accomplished my research, I put this sheet away, and began engaged on my miniature medieval illuminated manuscript lion from reminiscence, with out worrying about any anatomical accuracy. To start I tore a small piece of Jackson’s Two Rivers Chilly Pressed Watercolour Paper, and flippantly sketched my creature with a light-weight pencil.

I gave my lion barely humanoid options and elongated limbs. I painted the miniature with a restricted palette, including solely slight gradation of tone.

Medieval Lion art prompt

Subsequent I added a reflective gold background to the portray, to emulate the gold leaf on illuminated manuscripts.

Medieval Lion art prompt

I used gouache to color within the physique of my lion, his most important and tail, and the bottom beneath him.

To finish my imagined medieval lion, I added a crisp black define to the tiny portray utilizing my Jackson’s Miniature Artificial Brushes, and a adorned dotted border.

Medieval Lion art prompt

Medieval Lion art prompt


Additional Studying

Artwork Via Symbols: The Horse

Artwork Via Symbols: Songbirds

Contained in the Pages of a Medieval Sketchbook

Recreating the Palette of Henry Ossawa Tanner

Store Artwork Supplies on jacksonsart.com

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Artwork Via Symbols: The Lion

Artwork Via Symbols: The Lion

September 6, 2026
Iconic Deathcore Band Launch First New Music in 15 Years

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