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Hans Op de Beeck Faucets into Reminiscence, Time, and Enigma in ‘Vanishing Level’ — Colossal

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September 2, 2026
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Hans Op de Beeck Faucets into Reminiscence, Time, and Enigma in ‘Vanishing Level’ — Colossal
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From the stillness of a lily-specked pond to a nostalgic carousel perched on high of a spindly stand, Hans Op de Beeck’s newest works delve additional right into a realm of meditation and solitude. His forthcoming solo exhibition, Vanishing Level at Almine Rech, highlights his characteristically monochromatic sculptures, which he typically coats in matte grey. Many are life-size, inviting viewers to face quietly close to a relaxed determine seated on a chaise lounge beside a fawn or peer right into a framed seascape during which definition is just wrought by contrasts in gentle and shadow.

Scale, lifelike element, and an array of objects, figures, and animals in several settings lend Op de Beeck’s sculptures a form of wünderkammer high quality when displayed collectively. Individually, the items learn like muted curiosities or parts of an uncommon puzzle. There’s a way that at any second, particularly in works like “Orrery (Loss),” the scene could whir into movement and remodel into the complete vibrancy of actuality (one may recall the impact in The Wizard of Oz).

a life-size sculpture of a woman seated on a chaise lounge next to a seascape painting, with the entire scene coated in the same shade of matte gray
“Cécile” (2026), mixed-media, life-size sculpture and “Seascape” (2022), polyester, steel, and coating

With out shade, we’re drawn to the dimensionality and textures of reliefs and in-the-round objects, though the tableaux themselves stay enigmatic. We acknowledge acquainted parts, however they appear misplaced or in uncanny relationships. Op de Beeck prompts us to think about how the scenes could have come to be and the way they relate to the environment, together with us. “His artwork doesn’t clarify—it suggests,” the gallery says.

The title of the present is derived from the inventive time period “vanishing level,” which describes the impact the place all strains converge in a perspective drawing and parts disappear into the space. An announcement says, “Op de Beeck makes use of it as a metaphor for these moments when the concrete and rational give solution to one thing much less tangible—reminiscence, creativeness, introspection, or the sensation of briefly slipping outdoors time.”

Vanishing Level opens on September 10 and continues by means of November 7 in Brussels. See extra on the artist’s Instagram.

a sculpture of an astronomical or navigational sphere on a stand
“Orrery (Loss)” (2025), combined media, 91 1/2 x 51 x 51 inches. Photograph by Hugard & Vanoverschelde
a small shelf with a cloth on it holds several small bottles and decanters, all rendered in a matte blue
“Small Blue Nonetheless Life (1)” (2026), combined media, 16 x 20 1/2 x 8 1/2 inches. Photograph by Hugard & Vanoverschelde
a gray, abstract, mixed-media sculpture resembling a pool with leaves
“Autumn Pond” (2025), combined media, 45 1/2 x 45 1/2 x 5 1/2 inches. Version 2 of three, plus 2 APs. Photograph by Hugard & Vanoverschelde
a framed relief image of tangerines, composed entirely in gray
“Tangerines” (2026), polyester, wooden, and coating, 11 x 14 x 2 inches. Photograph by Hugard & Vanoverschelde
a sculpture of a small table covered in cloth with a simple vase and flower arrangement, entirely rendered in white
a sculpture of a carousel on a tall stand, rendered entirely in gray
artist Hans Op de Beeck's studio with numerous groupings of sculptures
Studio view
artist Hans Op de Beeck's studio with a life-size sculpture of a seated young girl in gray inside of an open crate
Studio view

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Largest Viking hoard in Denmark present in again yard – The Historical past Weblog

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September 2, 2026
Hans Op de Beeck Faucets into Reminiscence, Time, and Enigma in ‘Vanishing Level’ — Colossal

Hans Op de Beeck Faucets into Reminiscence, Time, and Enigma in ‘Vanishing Level’ — Colossal

September 2, 2026
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