Contemporary bouquets, blossoming meadows, and burgeoning gardens deliver color, pleasure, and life to our on a regular basis worlds, so it’s no shock that flowers flourish in artwork historical past, each as objects of magnificence and metaphorical units. On this article, I examine the symbolism behind a collection of blooms, tracing the roots of their which means from faith and commerce to loyalty and secrecy.
The Artwork By means of Symbols collection explores the interpretation of symbols all through artwork historical past – whether or not cultural, spiritual, folkloric, or private. Every article analyses a collection of artworks earlier than providing an art-making tutorial impressed by the image so that you can strive.
Contents
White Lilies and Crimson Carnations – Advantage, Innocence, and Love
Victorian Flower Messages – Floriography
Tulips – Dutch Nonetheless Life and Tulip Mania
Lotus – Divinity, Rebirth, and Purity
The 4 Gents – Chinese language Flower Symbolism
Sunflowers – Loyalty, Friendship, and Battle
Roses – Romance, Demise, and Sleep
The Flower – Artwork Immediate
Decoding Flowers

Claude Monet
Oil on canvas, 61 x 82.5 cm | 24 x 32.5 in
Nationwide Gallery of Artwork
“I should have flowers, all the time, and all the time.” – Claude Monet
Throughout artwork historical past, flowers have communicated emotional and symbolic which means to viewers, regardless of how obscure these symbols might sound to modern minds. Now we have moved past the prudish period of sending discreet messages via symbolic Victorian bouquets, but the layered subtlety of the observe stays interesting for its quiet intimacy. The identical may be mentioned for the solemn weight of Dutch botanical nonetheless lifes, which fill us with awe via their beautiful craftsmanship and delightful element, whereas additionally being tinged with themes of dying, commerce, and prosperity.
An amazing variety of the world’s most coveted work embrace flowers in some capability – from these floating alongside the tragic Ophelia in Millais’ portray, to the evocative emulations of color and texture in Monet’s Water-Lilies, and the verdant carpet of flowers beneath the ft of the gods in Botticelli’s Primavera. Visionary artists of the twentieth century additionally maintained deep connections to florals, from Georgia O’Keeffe’s unforgettable, immersive, vulval blooms to Hilma af Klint’s assertion that crops are religious beings in her occult modernist work.
Whatever the particular person symbolism that particular flowers maintain for every artist, they appear inseparable from the creative expression of our feelings, needs, and awe in magnificence. Many artists have relished of their gardens and the chance to repeat flowers as recurring motifs of their work. Maybe the romance related to flowers naturally lends itself to the artist’s spirit – providing subliminal reassurance via their fixed cycles of rebirth, development, and creation.
White Lilies and Crimson Carnations – Advantage, Innocence, and Love
In Christian artwork, the Annunciation depicts the second when the angel Gabriel visits the Virgin Mary to inform her that she is anticipating the Son of God. Gabriel and the Virgin are sometimes depicted holding, gesturing in direction of, or standing beside a vase containing a species of lily known as Lilium candidum. Native to the Balkans and the Center East, their tall stems bear a number of grand flowers – generally three – which might characterize the Holy Trinity. The massive white flowers got here to symbolise the Virgin’s religious purity, however have additionally been interpreted as representations of the Immaculate Conception, delivered as a present from God. The recognition of the lily in depictions of the Virgin led to the flower being colloquially known as the ‘Madonna lily’.

Hans Memling
Oil on wooden, 186.1 x 114.9 cm | 73.3 x 45.2 in
The Metropolitan Museum of Artwork
John Singer Sargent first exhibited his controversial portray Madame X in 1884, which broken his repute as an artist, as the topic’s provocative gown and pose had been perceived as indecent. Within the aftermath of the backlash, he travelled to England and joined an artist neighborhood in Worcestershire, the place he painted his well-known Carnation, Lily, Lily, Rose. The affect of his contemporaries is clear on this portray, from its Pre-Raphaelite romanticism to the Impressionist en plein air method used to execute the work open air. Collectively, these parts mix to create the portray that may revive his profession. Right here, the lilies and carnations invoke the purity related to the Virgin Mary, although on this occasion, they create an environment of childhood innocence. Altogether, the flowers within the work recommend fragility, femininity, and youth.

Vittore Crivelli
Tempera and gold on wooden, 55.6 x 40.6 cm | 21.9 x 16 in
The Metropolitan Museum of Artwork
Mary can be usually related to crimson carnations, which symbolise her divine love and foreshadow the Ardour by representing the blood of Christ. The flower’s affiliation with the divine stretches again to antiquity – the scientific title for carnations is Dianthus, which derives from the Greek dios, which means divine, and anthos, which means flower. One legend describes how the flower first bloomed the place the Virgin’s tears fell as Christ made his means in direction of his crucifixion.
Over time, carnations got here to symbolise motherly and romantic love extra broadly, from Renaissance painters utilizing them to indicate engagement and marriage to their later function as the normal flower for Mom’s Day. This symbolism may be seen in Rembrandt’s Lady with a Pink, through which a richly dressed girl is proven holding a single carnation blossom, with an ethereal glow surrounding her palms. Together with the paired portrait of her partner, the flower symbolises her standing as a loving spouse.

Rembrandt van Rijn
Oil on canvas, 91.4 x 74.3 cm | 36 x 29.2 in
The Metropolitan Museum of Artwork
Proper: Lady with a Pink, early 1660s
Rembrandt van Rijn
Oil on canvas, 92.1 x 74.6 cm | 36.3 x 29.4 in
The Metropolitan Museum of Artwork
Victorian Flower Messages – Floriography
The Victorians concurrently adopted strict ethical codes centred on purity and piety, but lived via an age marked by crime, prostitution, little one labour, class inequality, and poverty. From this repression of emotion, floriography emerged as a way of sending direct messages via flowers. Strict etiquette didn’t enable lovers to state their emotions outright, however by together with sure sorts of blooms in bouquets with intentional meanings, their ideas can be understood. Books had been printed cataloguing every in style image, with meanings assigned in keeping with color, look, medicinal makes use of, and established symbolism or superstition.

T. Nelson and Sons
Getty Analysis Institute
The situation of particular person flowers additionally mattered – a flower introduced the other way up took on the alternative which means to its established one, and the removing of components of the bloom added additional layers of complexity. As an illustration, a single rose with all its thorns eliminated, forsaking simply leaves, meant ‘there may be a lot to hope for’, whereas a bloom with out both signified ‘there may be all the pieces to worry’.
Artists and writers of the Victorian period embraced this secret (but not so secret) language and included these symbols into their works. The Pre-Raphaelites, particularly, featured flowers of their work for this goal. Dante Gabriel Rossetti portrayed his mistress, Fanny Cornforth, as Girl Lilith – the seductress-turned-demon who refused to undergo Adam. The white roses flourishing behind her declare ‘I’m worthy of you’, a foxglove atop her dressing desk signifies insincerity or deception, and the poppy beside her represents sleep or forgetfulness.

Dante Gabriel Rossetti and Henry Treffry Dunn
Watercolour and gouache, 51.3 x 44 cm | 20.2 x 17.3 in
The Metropolitan Museum of Artwork
Tulips – Dutch Nonetheless Life and Tulip Mania
Fuelled by the inflow of mercantile wealth in Seventeenth-century Holland, the Dutch created a coveted luxurious marketplace for tulips. The costs of beautiful bulbs that produced distinctive blooms accelerated quickly, and growers had been in excessive demand. In 1635, on the peak of the market, a sale was recorded through which 40 bulbs had been offered for 100,000 florins – at a time when expert labourers would possibly earn round 350 florins yearly. Naturally, painters immortalised these prized blooms, making use of their reputation to domesticate an analogous demand for their very own works. In these work, tulips symbolise standing and wealth.

Hans Bollongier
Oil on panel, 67.6 x 53.3 cm | 26.6 x 21 in
Rijksmuseum
“Tulip Mania” got here to an abrupt finish in February 1637, when patrons in Haarlem lastly refused to pay the extortionately inflated costs for bulbs, inflicting the market to break down. Past tulips, Dutch nonetheless life portray continued to function lush preparations of blooms rendered in extraordinary element. At first look, these works could look like simple botanical research, however in addition they their very own layered symbolism.
Many of those works weren’t created from a single bouquet, however had been labored on repeatedly all year long as new species got here into bloom, or assembled from detailed particular person research into organized compositions. Very similar to the Victorians who adopted, the Dutch ascribed meanings to particular flowers, carrying symbolic associations ahead from the medieval period. Downturned or dying flowers turned memento mori, reminding viewers of the brevity of life. Nobody was more proficient at portray flowers than Rachel Ruysch, who rendered her works with unimaginable element and persona, turning into essentially the most celebrated flower painter of her day.

Rachel Ruysch
Oil on canvas, 48.5 x 39.5 cm | 19.1 x 15.6 in
Rijksmuseum
Lotus – Divinity, Rebirth and Purity
The lotus flower symbolised divine rebirth, creation, and the cycles of the solar in historic Egypt, because it opens throughout the day and closes at evening. Rising from the mud of the Nile, the lotus options in Egyptian artwork all through its intensive historical past. From the Previous Kingdom (c. 2686–2181 BCE), the deity Nefertem was, in some accounts, mentioned to have been born from a lotus, and is depicted with one atop his head. He’s a god of therapeutic and the solar, and related with the pristine magnificence and fragrance exuded by the open flowers.
Probably the most prized selection was the blue lotus flower, which seems on artefacts discovered inside pharaohs’ tombs and was used to brighten photographs of the gods – its petals had been even strewn throughout Tutankhamun’s physique. It’s thought that the plant was additionally used for its psychoactive properties, infused into wine for ritual functions.

New Kingdom, Egypt
Limestone carving, 17 x 18 cm | 6.7 x 7.1 in
The Metropolitan Museum of Artwork
The lotus additionally has longstanding cultural significance throughout Asia, deriving significance from its function in Hindu, Buddhist, Jain, Muslim, and Sikh artwork. Broadly throughout these cultures, the lotus symbolises rising above impurity in direction of divinity and religious consciousness. This symbolism aligns with the character of the flower itself, which grows from murky water, and emerges immaculate above the floor.
The flower recurs all through Buddhist artwork as a throne or pedestal for deities, because the Buddha in contrast himself to a lotus flower grown from the mud. It symbolises the Buddhist beliefs of purity in physique, speech, and thoughts. In Hindu artwork, Vishnu (generally known as Lotus-Eyed One) and Lakshmi are sometimes depicted on high of lotuses, whereas different gods use them as thrones or are adorned with them. An historic Hindu fantasy describes Brahma, the god of creation, blooming from a lotus flower that grew from Vishnu’s navel. This gave the lotus further symbolism related to delivery and transformation.

The Hindu Artwork Studio
Lithograph with hand-colouring in watercolour, 40.7 x 30.5 cm | 16 x 12 in
The Metropolitan Museum of Artwork
The 4 Gents – Chinese language Flower Symbolism
The “4 Gents”, or si junzi (四君子), in Chinese language artwork refers to 4 crops that characterize the seasons – plum blossom for winter, orchid for spring, bamboo for summer time, and chrysanthemum for autumn. The phrase “gentleman” on this context doesn’t discuss with social standing, however as an alternative suggests the normal Confucian virtues of integrity and stability.
Particularly, the plum blossom symbolises endurance, because it blooms amid antagonistic winter situations. In portray, it means that the proprietor or topic possesses steadfast resolve, even within the face of political, social, or private turmoil. Native Chinese language orchids, or lan, have small flowers hidden amongst their lengthy leaves and exude a fragile perfume, and due to this fact got here to symbolise modesty via their understated magnificence. In artwork, the orchid mirrored a life lived with integrity. Bamboo got here to symbolise flexibility, and the power to return upright after challenges. Lastly, the chrysanthemum continues to flower as different crops die again with the onset of autumn, main it to symbolise independence. It’s usually utilized in Chinese language artwork as a logo for many who most popular virtuous solitude over aggressive ambition in society.

Lü Jingfu
Hanging scroll, ink and color on silk, 101.6 × 53 cm | 40 x 20.9 in
The Metropolitan Museum of Artwork
This portray of flowers by Lü Jingfu combines chrysanthemums and orchids with poppies, china pinks, asters, and cabbage, peppered with butterflies, bugs, and a salamander. Broadly, the mix of those crops and creatures, which depend on each other for sustenance, symbolised the cycle of predation in nature. This topic could have turn into in style in 14th-century Chinese language artwork whereas the nation was underneath oppressive Mongol rule, as a quiet assertion of resilience amid their challenges.
Sunflowers – Loyalty, Friendship and Battle
You won’t instantly correlate sunflowers with loyalty, however within the Seventeenth century this was generally held symbolism. It developed from the heliotropism of younger sunflowers, which causes them to show loyally in direction of direct daylight all through the day. Van Dyck made a mysterious portray titled Self-Portrait with a Sunflower, the place he glances out towards the viewer, tugging on a gold chain round his neck and pointing towards a sunflower that stares into his face. It’s thought that the heavy chain was gifted to him by King Charles I, implying that the sunflower is a logo of his loyalty to the Crown. One other portrait appeared from his studio with the identical motif and indication of loyalty to Charles I, this time of Sir Kenelm Digby – a courtier, writer, diplomat and naval commander – with shut ties to the King.

Wenceslaus Hollar after Anthony van Dyck
Etching, 13.5 x 11.3 cm | 5.3 x 4.4 in
The Metropolitan Museum of Artwork
Among the world’s most famous work of flowers are undoubtedly Van Gogh’s eleven Sunflowers. Probably the most celebrated of the collection had been painted in 1888 to brighten his Yellow Home in Arles in preparation for Gauguin’s tumultuous go to. Van Gogh was an artist obsessive about the dealing with of sunshine and wealthy color, which sunflowers possess and embody. His material depicted the on a regular basis environments and dealing folks round him, and sunflowers had been equally thought-about rustic and would have grown in his native neighborhood. Like Van Dyck, the sunflowers could have personally represented devotion – this time to the friendship he had seeded with Gauguin. In a letter to his brother Theo he wrote, “You understand that Jeannin has the peony, Quost has the hollyhock, however the Sunflower is mine, in a means”.

Vincent van Gogh
Oil on canvas, 43.2 x 61 cm | 17 x 24 in
The Metropolitan Museum of Artwork
The sunflower additionally recurs within the Surrealist Dorothea Tanning’s work, however with way more sinister connotations. She thought-about them the “most aggressive of flowers” as “a logo of all of the issues that youth has to face and to take care of”. In her works the sunflowers facelessly confront younger ladies, themselves, and the weather. Probably the most well-known of those is Eine Kleine Nachtmusik, the place a haunting hall hosts a face off between a large sunflower head with torn off petals and twisted damaged stem, as if simply taking pause from preventing, beside two younger women. One leans exhausted in opposition to the wall, clutching a shorn petal, while the opposite faces it, fists clenched, with hair flying wild with rage. The Mirror by Tanning sees a sunflower gazing at its personal reflection inside one other sunflower, which takes on the looks of a handheld mirror, all framed by an oval of sunflower petals. The layering of the humanoid flowers displaying introspective behaviour inside different ornamental flowers is brilliantly unsettling.
Flora – Goddess of Flowers
The Roman goddess of flowers, springtime, and youth is Flora, and her Greek counterpart is a nymph named Chloris. Each are depicted as particular person figures in Botticelli’s Primavera, the place Chloris, pursued by Zephyrus, the god of the west wind, has flowers streaming from her mouth. Her future self, Flora, stands topped and draped in blossoms, providing the viewer an uncommon smile for this period of portray. It’s written that the following marriage of Zephyrus and Chloris remodeled her into Flora, elevating her to the standing of a goddess. The couple additionally seem collectively on the left of The Delivery of Venus by Botticelli, swooping in to mix their powers by blowing flowers via the wind. Flora is accountable for the metamorphosis of characters in mythology into flowers of their dying moments to offer them with new life, similar to Narcissus, Hyacinthus, and Adonis. In Ovid’s Fasti V, he recounts how Chloris made Hera pregnant with Ares utilizing a flower. For these causes, Flora and Chloris additionally characterize transformation, fertility, and rebirth.

Giovanni Battista Tiepolo
Pen and darkish brown ink with wash and chalk, 22.9 x 22.8 cm | 9 x 9 in
The Metropolitan Museum of Artwork
Charles Cromwell Ingham was an Irish-American portrait artist, recognised for his masterful dealing with of seamless color inbuilt successive glazes, impressed by Ingres. His portray The Flower Lady is uncommon inside his oeuvre, as he hardly ever painted allegorical figures. He was influenced by European work of avenue distributors, however selected to adapt the topic into a female character to evoke the goddess Flora. His flower vendor carries a basket of splendidly vibrant blooms underneath her arm and holds a potted fuchsia – which symbolises love.

Charles Cromwell Ingham
Oil on canvas, 91.4 x 72.1 cm | 36 x 28.4 in
The Metropolitan Museum of Artwork
Roses – Romance, Demise and Sleep
It could be amiss to jot down about flowers and symbolism with out mentioning roses. In fact, their principal affiliation is with love, and they’re nonetheless gifted right now as romantic gestures. This connection to romance stems from Greek mythology, the place the rose was a logo of the goddess of affection, Aphrodite. We see them blooming in seminal artworks, similar to these clutched within the goddess’s hand in Titian’s Venus of Urbino. The origin of this affiliation comes from her romance with the mortal Adonis. Ares heard of their relationship and remodeled himself right into a boar to assault Adonis in a jealous rage. Aphrodite rushed to assist him as he died, however she was too late and lower her ft on the white roses rising beneath her. Her blood stained the white roses, and crimson roses have been related to the love of the goddess ever since.

Lorenzo Lotto
Oil on canvas, 92.4 x 111.4 cm | 36.4 x 43.9 in
The Metropolitan Museum of Artwork
Roses haven’t solely been used to symbolise romantic love – in The Roses of Heliogabalus by Lawrence Alma-Tadema, they turn into deadly. A wave of rose petals surges over a crowd of onlookers, suffocating them within the candy fragrance. The topic derived from the Roman emperor Marcus Aurelius Antoninus, a merciless teenager who reigned for 4 years. In line with an account, he suffocated the visitors of a banquet with an enormous quantity of “violets and different flowers.” As a Victorian artist, Alma-Tadema was conscious of the symbolism held by sure flowers – and particularly how constructive violets had been. Due to this, he remodeled the deadly mass of flowers into roses, which carried extra ambiguous meanings relying on the range, whereas additionally creating the visible impression of the swathe of pink throughout the portray. His biographer detailed that he had tonnes of roses imported from France to his studio as a way to full the work.

Thomas Agnew & Sons after Edward Burne-Jones
Photogravure on cream wove paper, 41.9 × 78.1 cm | 16.5 x 30.8 in
Yale Middle for British Artwork
One other Victorian artist who delved into the sinister facet of the rose was the Pre-Raphaelite Edward Burne-Jones, in reference to Sleeping Magnificence by the Brothers Grimm. He painted The Legend of the Briar Rose – a collection of 4 work depicting the deep slumber beset on a royal courtroom by a curse of somniferous roses. All through the work, thorny flowers overwhelm and envelop the figures, from knights entangled of their vines to weavers collapsed over their work. Burne-Jones wrote to a pal asking for roses to color from, specifying that he would really like them to be “hoary… thick as a wrist and with lengthy horrible spikes on it… Three ft can be sufficient.” The figures are trapped inside a dream that we’re helpless to witness, maybe reflecting Burne-Jones’s concern over society’s common acceptance of industrialisation, which the Pre-Raphaelites resisted.
The Flower – Artwork Immediate
For my paintings instance, I used to be impressed by Rachel Ruysch’s wealthy still-life work of flowers in vases, paired with the delicate hues created by the watercolour in Rossetti’s Girl Lilith. I purchased a bouquet of flowers, together with the aforementioned lilies and roses, and organized them in a vase to review from life.
For this artwork immediate you’ll want:
A collection of Roman Szmal Aquarius Watercolour Paints
A Jackson’s Empty Steel Watercolour Field
A collection of Jackson’s Watercolour Brushes
A sheet from a Jackson’s Watercolour Paper Block
Two jars of water (one for rinsing the comb, and the opposite for portray with)
To start my paintings I set my bouquet up in entrance of me in a glass jug, taking care to rearrange them with satisfying placement, and trimming any stems to make them the specified top for my composition. Then I positioned a few fallen petals on the desk subsequent to the vase, to recommend the souvenir mori facet of vanitas work.
Subsequent I frivolously sketched the position of the flowers on my paper in 2H pencil to behave as a framework for the portray, which I may simply conceal or erase later.
To start the portray, I began with the leaves alongside the rim of the glass, wanting to determine among the wealthy inexperienced beneath the blooms in order that I may higher assess how vibrant to color the flowers.
I labored my means across the flowers methodically, blocking in their key colors and kinds, earlier than refining the small print as soon as the preliminary layers dried.
I used mild lifting in a few areas to deliver again the white of the paper, and create delicate highlights on the petals.
To finish the portray I painted the floor of the desk, and the sunshine behind the vase in broad washes.
Additional Studying
Artwork By means of Symbols: Songbirds
Portray With Sunshine: Van Gogh’s Yellows
Recreating the Color Palette of Georgia O’Keeffe
Artist Insights: Billy Showell















