Phrases by Carlie Belbin and Shakiel Mahjouri.
And identical to that, Shambhala has wrapped up its twenty sixth version on the beloved Salmo River Ranch.
This 12 months wasn’t only a return to the farm, however a return to self. The magic of the competition lived within the moments in between the bass drops, the unfiltered expressions of id, and the sensation that—irrespective of the place you got here from—you had been precisely the place you had been meant to be.
Thursday welcomed us all again with open arms. Native legends SkiiTour kicked issues off with an power that felt like we by no means left. Because the solar dipped behind the mountains, and the ranch pulsed with new life, the dance flooring full of sequins, kaleidoscopic colours, mud, and grins from ear to ear that mentioned: we’re so again.
For these maintaining on the Shambhala Instagram, there was a “secret” stage situated down in Riverside that includes units from the likes of Mt. Doyle, who made his Shambhala debut set, in addition to Kodiak Child. Later, Maddy O’ Neal threw down for attendees who dedicated to the journey.
Friday afternoon started with a sacred Opening Ceremony on the Grove, instilling gratitude, intention, and connection. Adopted by lush daytime units by Tor and JPOD setting a soulful tone and grounding us to the normal lands of the Syilx, Sinixt and Ktunaxa Nations.
As day melted into night time, the Fractal Forest got here alive with the funk-forward mastery of Freddy J, Temper Swing & Chevy Bass, Ok+Lab and the Fractal mainstay Stickybuds. Later, Huge Gigantic reminded us why dwell saxophone over digital beats will all the time hit otherwise.
One factor is for positive: your decisions are infinite on the farm. DJ units, adventures, and eccentric human connections are available and in abundance. Whereas there’s consolation in figuring out each path you selected to embark on can carry delight, typically you’re pressured to make onerous selections—like whether or not to hit Huge Gigantic at Fractal, or bask in Troyboi on the AMP. It was one of many weekend’s harder decisions and a typical frustration at festivals.
Conflicting schedules include the territory. If solely competition life had a New Recreation Plus (NG+) mode to expertise every little thing concurrently.
Chris Lake and Justin Martin delivered phenomenal mainstage moments of pure euphoria on the Pagoda throughout primetime on Saturday. And for many who stumbled again into the Fractal after-hours, a stand-out duo new to the stage, No Thanks, delivered a thoughts bending set that saved listeners on their toes and carried us into the early morning.
Each attendee contributes to Shambhala’s collective spirit. The totems alone personify this.
Annual favorites just like the dancing Peter Griffin, “test engine,” cute mushrooms and jellyfish, “CatDog,” and “I miss my ____” reunited within the crowd. One considerate soul Frankensteined a dozen electrical followers collectively on a stick, cooling off fellow ravers. Amidst feverish dancing, it was as if being fanned by the Shamba-Gods.
However maybe essentially the most ingenious totem of all was noticed not as soon as, not twice, however on a handful of events. These engineering marvels constructed their totem atop a coat rack—that approach nobody ever needed to maintain it up because it stood all by itself, and everybody within the crew may hold cumbersome jackets and baggage on it whereas on the dance flooring. Good. When you’ve ever been to Shambhala, you understand that at night time it’s too sizzling to bop with layers on on the levels. However as soon as you permit the crowds, you want a coat to roam round comfortably—don’t overlook you’re in Canada, eh.
Saturday’s Style Present, or Rave Runway Extravaganza, hosted by Frieda Whales was a radiant show of radical self-expression—DIY, glitter, fringe, feathers, and an entire lot of coronary heart. Talking of coronary heart, beloved Canadian DJ and producer The Gaff took to the stage at Fractal because the solar went down and introduced his very personal son to witness his dad in his area.
Gracing the Residing Room stage, Glass Beams forged a psychedelic spell that felt like floating in a dream. And Elderbrook introduced intimate vocals and emotional resonance to the principle stage, setting the tone for a magnetic set from Bob Moses, whose brooding home grooves held the gang in a collective trance again on the Residing Room.
The Village’s foundations had been stress-tested by consecutive efforts from Delta Heavy, SLANDER and ALLEYCVT, the latter of whom welcomed “ONE FOR YOU” collaborators Levity onstage. SLANDER’s spin on Quad Metropolis DJ’s legendary hit “Area Jam” was groovy sufficient to have interstellar lifeforms chasing the bootleg.
The competition usually welcomes one hip-hop act annually with blended success. Integrating rap music into an EDM competition like Shambhala is difficult sonically and culturally. However, Joey Valence & Brae understood the task. Their power was infectious, and so they wore their love for digital music on their sleeves.
Shambhala is the definition of a marathon, not a dash. It’s regular for music to start at 1pm and carry over to 9amthe subsequent day. Navigating the expertise comfortably requires some strategic planning. Happily, Shambs is inhabited by numerous educated and kind-hearted “wooks” looking for the Farmily.
Good instance: Three unsung heroes rolled into FATHER SON’s 5am competition debut set on the Pagoda with a small grill, a propane tank, and the restorative energy of tacky carbs. These godsends, pictured under, slung grilled cheese sandwiches for the troops. We’re speaking buttered exteriors, mayonnaise-d interiors and a mix of white and yellow cheeses.
After dancing their approach by means of a sundown and nonetheless standing throughout dawn, they may as effectively have been dipped within the Fountain of Youth.
Sunday’s annual Fractal Funk Jam hosted by Smalltown DJs was every little thing Shambhala stands for: collaboration, group, and absurd quantities of uncooked expertise. Every year, the Funk Jam runs from 2-6pm and the docket of expertise circulates as every individual performs three tracks and so they maintain swapping out and in. The playfulness of the gang under is unmatched, too. If in case you have but to test it out, be sure you pop by subsequent 12 months.
That closing night time, The Sponges saved issues moist as the gang soaked up each drop of their efficiency, setting the tone for a memorable fruits. SOFI TUKKER made their long-awaited debut at Fractal and delivered full-spectrum power each playful and primal, emphasised by eclectic remixes of the White Lotus season three theme tune and Drowning Pool’s “Our bodies.”
Later, Andy C turned the Village right into a drum & bass battleground in one of the best ways attainable. Over on the Grove, Channel Tres served up his signature mix of hypnotic basslines, low-slung funk, and vocals that hit like velvet and smoke.
ILLENIUM exceeded lofty expectations, winding up followers with emotional highs then free-falling into filthy drops. Wooli adopted up for a nasty one-two punch. In the course of the fast handover from one to the opposite, a pair of giddy ravers entered the Village from stage left, hoisting an enormous, blow-up woolly mammoth overhead. Seeing the majestic mascot crowdsurf round throughout its namesake’s set emphasised the humor and youthful vibrance that Shambs evokes.
Tape B b2b Mersiv pushed boundaries with a cinematic, bass-heavy journey that felt like the ultimate chapter of an epic online game. Each daring story wants comedian reduction. Throughout Tape B and Mersiv’s shock set, a colourful spirit made rounds by means of the gang, asking if strangers would really like “to take an image” of him. Those that indulged weren’t greeted with a telephone and selfie stick, however with a sticker of the inquirer. What a random and completely on-brand bit for a competition that encourages quirky, unabashed self-expression.
And in a Shambhala-perfect second throughout RUMPUS’ set, agro-yogi John Early proposed to his then-girlfriend, drawing huge cheers from the gang and sealing the night time with a kiss.
Whether or not you got here for the music, the magic, or the mischief, one factor was sure: you discovered your self on the farm. If you wish to expertise the magic of Shambhala Music Competition for your self, tickets for subsequent 12 months’s version (July 24–27, 2026) go on sale in September.
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