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Willie Nelson’s ‘Oh What a Lovely World’ seeks the American ideally suited : NPR

Admin by Admin
May 1, 2025
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Willie Nelson’s ‘Oh What a Lovely World’ seeks the American ideally suited : NPR
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His new album, ‘Oh What a Lovely World’, does not break from conference, however that is precisely why it feels so vital proper now.



AUSTIN, TEXAS - JULY 04: Singer-songwriter Willie Nelson performs onstage with Willie Nelson and Family during the 46th Annual Willie Nelson 4th of July Picnic at Austin360 Amphitheater on July 04, 2019 in Austin, Texas.

AUSTIN, TEXAS – JULY 04: Singer-songwriter Willie Nelson performs onstage with Willie Nelson and Household through the forty sixth Annual Willie Nelson 4th of July Picnic at Austin360 Amphitheater on July 04, 2019 in Austin, Texas.

Rick Kern/WireImage for Shock Ink


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On April 17, Willie Nelson and agricultural advocate David Senter revealed an open letter to America’s farmers, who stand to be financially impacted by the president’s funds and staffing cuts, tariffs and looming commerce warfare. Nelson and Senter categorical solidarity with anxious younger farmers and encourage employees of all ages and political affiliations to face collectively and protest towards the administration’s agricultural funding freeze.

“All farmers — regardless of their age, background, politics, location, dimension, kind or manufacturing strategies — should name on one another in these difficult instances,” the authors write. “We invite you to name on us, and hope that you’ll reply once we name on you. We’re on this collectively and it is solely collectively that we are going to get by way of.”

For Nelson, who turned 92 this week, this solidarity with America’s farmers honors a pledge he’d first made 4 many years in the past, when he co-founded Farm Assist with John Mellencamp and Neil Younger — the advocacy group and profit live performance held yearly since 1985. Through the use of his celeb platform and his standing as a nationwide icon and treasure to talk out in assist of struggling household farms, Nelson is merely persevering with to do what he is at all times achieved in his almost seven many years as knowledgeable musician. However although his left-leaning values have lengthy been at odds with historically conservative household farmers and the nation music hoi polloi, Nelson’s ongoing dedication to inclusion and civility is much more crucial in right now’s extremely polarized and divisive local weather.

Final Friday, Nelson launched his newest file, Oh What a Lovely World — his 77th solo album and, astonishingly, his 154th general studio album. A set of twelve tracks written by veteran songwriter Rodney Crowell, Oh What a Lovely World finds Nelson in acquainted territory: wistful nation ballads of affection misplaced and located, open roads, and dusty plains. However because it arrives at a second of geopolitical nervousness, battle and mistrust —when the world appears something however lovely — an album of straightforward, sentimental ballads dangers coming throughout as anachronistic or tone-deaf. Nelson, nevertheless, has at all times strived to signify the nation’s highest beliefs and to remind his listeners of the wonder and promise of America, even (particularly) throughout instances of nationwide disaster.

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Whereas nation singers have lengthy been preoccupied with God, household and nation (with a wholesome dose of onerous consuming, onerous loving and onerous dwelling), within the years following 9/11 nation music noticed an increase of jingoism, chauvinism and racism, as evinced by the looks of Accomplice flags at live shows and festivals. A musical style that was cast from the collaboration of rural white and Black musicians had come to be related to racial intolerance. Devices and storytelling traditions dropped at the US by immigrants from Eire, Scotland, Britain, West Africa and Mexico have been exploited within the title of nationalism and xenophobia.

Nation music has traditionally mirrored what is occurring within the streets, factories and dwelling rooms of America. From the turbulent protests towards the Vietnam Conflict, to the suspension of civil liberties through the so-called “Conflict on Terror,” nation singers, from Merle Haggard to Toby Keith, might be counted on to talk up for the legendary “actual American,” who honored the flag and belittled supposed dissidents. (That Haggard shared frequent trigger with the dope-smoking hippies he parodied in his well-known tune was largely misplaced on his audiences.)

Regardless of a couple of, boat-rocking moments — Johnny Money’s Bitter Tears and Loretta Lynn’s “The Tablet,” for instance — nation musicians have largely toed the traditionalist line, appeasing their overwhelmingly White, Southern, and conservative base. Not so Willie Nelson. All through his lengthy life in leisure, Nelson has doggedly challenged nation music’s inflexible obstinacy. He is planted a kiss on the lips of Black nation singer Charley Delight onstage in entrance of a crowd of irate Texans within the late-Nineteen Sixties, condemned the warfare in Iraq, and supported Democratic presidential candidates. He is raised consciousness about previously incarcerated Native American activist Leonard Peltier, supported LGBTQ rights and marriage equality, protested the Keystone XL pipeline and warned about the specter of local weather change. Whether or not criticizing the primary Trump administration’s coverage of household separation on the southern border, or selling the decriminalization of hashish, Nelson has been persistently to the left of his friends.

Between founding the string and jug band Carolina Chocolate Drops and winning a Pulitzer Prize and a MacArthur grant, Rhiannon Giddens has become one of folk music's foremost advocates for understanding the crucial role of Black musicians in the history of American roots music. This weekend, a North Carolina-based festival that she curated, Biscuits & Banjos, will feature dozens of Black artists performing and speaking on panels about their experiences in the genre.

Nelson has weathered close to chapter, endured an embarrassing public feud with the IRS and outlived all of his fellow Outlaws and Highwaymen, together with (remarkably) Waylon Jennings. He has not turn out to be any much less of a liberal raconteur in his superior age, nor has he shied away from associations which might be nonetheless thought-about controversial to the nation music gatekeepers: endorsing progressive Democratic candidate Beto O’Rourke’s 2018 problem towards Republican Ted Cruz for the U.S. Senate, lending his voice to Beyoncé’s Cowboy Carter, and duetting with Orville Peck in 2024 on the “homosexual cowboy anthem,” “Cowboys are Continuously Secretly Keen on Every Different.”

Regardless of his lengthy dedication to social justice and political engagement, nevertheless, Nelson’s music is itself not often political. 2018’s “Vote ‘Em Out” is probably his solely baldly political tune, and he is written solely two songs in his profession that he considers to be “protest songs”: the anti-war missives “Jimmy’s Street,” and “No matter Occurred to Peace on Earth?”

Oh What a Lovely World doesn’t depart from conference. It isn’t a political album; it doesn’t try and “communicate to the second.” The twelve compositions — most of them recorded by Crowell or different artists over a number of many years — discover Nelson singing about amorous affairs and regrets (“I Would not Be Me With out You”), youth and misplaced innocence (“Banks of the Outdated Bandera”), and life’s easy, sturdy pleasures (“Stuff that Holds Up,” co-written with Man Clark). The only lyric on the album that might be thought-about in any respect “political” comes on the “Perpetually Younger”-indebted “The Flyboy & the Child,” with its line: “Might you at all times keep in contact with the issues that maintain you younger / Once you’re observing injustice, could you by no means chew your tongue.”

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Musically, Oh What a Lovely World adheres to the model of grownup modern nation/country-lite that has lengthy been Crowell’s mainstay, with slick manufacturing by celebrated Nashville producer Buddy Cannon and a workforce of Nashville studio musicians. The center of those songs is in Nelson’s deft, jazz-inflected guitar selecting, and his distinctive, mellifluous voice — which has misplaced none of its heat or sincerity regardless of getting a bit raspier with age. Whereas on his earlier studio album, Final Leaf on the Tree, Nelson sounded as if he have been sitting nose to nose with demise, Oh What a Lovely World gives the look that Nelson could very properly have a dozen or so extra albums underneath his belt.

However what does it imply, on this second of pervasive dread and apprehension, to file an album of contemplative songs about love and longing? To sing the phrases, “I am gonna be right here for you, child / I will be a person of my phrase,” as Nelson does on “Making Recollections of Us”? To declare the world to be “lovely”? By providing, at the moment, an unabashedly saccharine assortment of songs, Nelson hopes to remind listeners that, regardless of all of it, the world stays wondrous and perpetually able to therapeutic, that the nation is healthier than its worst moments, and, as he writes in his latest letter, “we’re on this collectively and it is solely collectively that we are going to get by way of.”

Nelson’s substantial oeuvre, from “Loopy” to Oh What a Lovely World, has at all times been inextricable from his private values and beliefs. His songs are timeless exactly as a result of they don’t communicate to a specific “second”; they communicate to the frequent hopes, fears and aspirations of all Individuals. His music represents the ethical ideally suited that many Individuals attempt towards however normally fall in need of. Although it sometimes avoids the overtly political, Nelson has nonetheless at all times requested Individuals to recollect their collective obligations to one another, to problem the established order and to confront injustice.

This summer time, Nelson will embark on his long-running Outlaw Music Competition Tour, with Bob Dylan and others, visiting thirty-five American cities, from Los Angeles to Bangor, Maine. As together with his annual Farm Assist and 4th of July Picnic live shows, Nelson will discover himself going through a blended viewers of followers who’ve both found him solely just lately or adopted him since his “Shotgun Willie” period. He’ll see farmers, freaks, cowboys and environmentalists. What he’ll see, above all, is a modified nation music panorama, one that’s extra numerous and accepting — thanks, partly, to his years-long efforts.

Nation music, just like the nation itself, has and can proceed to bear myriad disputes, upheavals and adversities. There’ll at all times be those that declare to talk for “actual nation music,” simply as there can be those that declare to signify the “actual America.” Willie Nelson, conversely, represents a really perfect of nation music and America that’s much less exclusionary or obstinate, and extra welcoming, curious and compassionate, the place generally essentially the most radical act of resistance is to sing some unhappy love songs, to look out for one another, and to take a second to understand the wonder we take without any consideration.

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