When layering samples in Kontakt, maintaining issues clear is essential. What’s your strategy for ensuring all these layers keep distinct and hit proper?
I prefer to put a ton down, and take away later.
A whole lot of the instances once I’m working, I’ll speed-run quite a few concepts, put down every part that sounds good to me for the time being – and delete or transfer it across the undertaking. If it’s not including something, so be it. Talking of layering, one in every of my favourite strikes with Kontakt is to browse a few of the libraries like Straylight and Pharlight – you will get spectacular drone notes and ambiance shortly.
Attempt selecting one which works properly with a better be aware – one thing like C4-C5, after which one thing that works properly down an octave from there or two. Play the drones on the root be aware of the size after which play your chord development solely with a pleasant fats Reese bass beneath – EQ out the drone notes low finish and something that will get in the way in which and also you’re already off to an incredible begin for an atmospheric, moody songstarter.
Now hearth up one thing like Una Corda and play the chord development, and also you’re off to the races.
