Her photos reveal the inconceivable, the invisible, and the numerous, many layers behind {a photograph}. Taryn Simon’s singular and meticulous strategy to high quality artwork pictures produces footage that interrogate our political constructions, our social conventions and our governing rules. Her newest exhibition “The Recreation”, on present on the Almine Rech gallery in Paris, zooms in on symbolic and vital moments throughout the presidential election final 12 months in the US, questioning the random nature of democratic processes. We discuss in regards to the energy of pictures in a world of smartphones and synthetic intelligence and replicate upon the common second of mourning throughout the COVID-19 pandemic.
Taryn Simon explores ‘The Recreation’ of democracy
