Lens-based artist Machteld Kroon rephotographs outdated, discovered footage of unknown origin. Based mostly in The Netherlands, Kroon’s images explores household life and heritage, mixing documentary and constructed realities. With a background in positive artwork, her work delves into the intricate tapestry of id, reminiscence, and ancestry. This explicit venture relies on a field of slides, thirty years outdated or extra. With no figuring out data or context, Kroon contemplates their that means and origins, whereas actually projecting her personal:
“The unique photographer repeatedly captured the sky, very like a toddler exploring by means of repetition, an act of pure remark unburdened by that means. Over time, these photos grew on me. Their consistency turned a language, a quiet meditation on trying. Of their persistence, I noticed each a toddler’s surprise and an grownup’s want to carry onto the fleeting. By projecting these slides onto my physique and the snow, I shift their unique intent. The previous meets the current, and the act of rephotographing them transforms their objective, infusing them with new that means formed by my presence.”
