On this article, I clarify the pointillist method by taking a look at works by the artists who created it – Georges Seurat and Paul Signac – and others who embraced it, like Anna Boch and Lucie Cousturier. After which I exhibit methods to obtain the pointillist method in your personal work, utilizing oil and acrylic paint, pencil, and pastel. Articles within the Methods Collection outline the that means and context of artwork making processes and provides sensible tutorials on methods to work with them.
Pointillist Methods for Portray and Drawing
Definition: Pointillism is the applying of small dots of pure color that type an entire picture when seen from a distance. The method depends on optical mixing, the place as a substitute of mixing colors on the palette, our eyes merge the adjoining dots to disclose type, worth, and house.
What’s the Impact of Pointillism?
When pointillism is executed effectively, it conveys to the viewer that the artist has a deep understanding of color. These works typically use complementary colors to create distinction and visible curiosity. And so they have mushy transitions between tones by diffusing the dots of 1 space with these close by. Since these artworks depend on optical mixing, the position and intentional color alternative of every space of dots should be made rigorously to disclose the meant imagery. Any out-of-place colors would disrupt the general concord of the picture, so the painter should additionally be capable to envisage the end result as they work.
Pointillist work additionally typically seem brighter or extra saturated than different work. It is because every dot is product of pure color, with a few of the floor exhibiting between them. This provides the portray a way of vitality, a shimmering high quality, or perhaps a rippling, dreamlike sense. With out mixing, pointillist work keep away from the issue of muddy colors.
Right now, pointillism takes on new that means, as its dot-based method echoes CMYK printing and digital screens. Though the prophetic method predates each of those advances, to our up to date minds, we might draw associations with know-how when it’s utilized in artworks at this time.
The Historical past of Pointillism
Georges Seurat and Paul Signac had been invested within the science of color once they created the artwork motion generally known as Pointillism. They had been particularly within the findings by the scientist Michel Eugène Chevreul and his 1839 publication Precept of Concord and Distinction of Colors and Their Utility to the Arts. After being appointed the director of a dye works in Paris in 1824, Chevreul started delving into methods to make colors seem stronger. This was in response to complaints a few weak black dye. He found that though the dye was top quality, when it was surrounded by threads that had been deep blue or purple, it appeared weaker and reddish. He realised that the human eye perceives color in relation to its neighbouring colors, calling the impact ‘simultaneous distinction’.

Des Couleurs et de leurs Purposes aux Arts Industriels à l’Aide de Cercles Chromatiques
(Colors and their Purposes to Industrial Arts Utilizing Color Wheels), 1864, web page from e-book
Michel Eugène Chevreul
Metal plate engraving printed in color, 36.2 x 28.6 cm | 14.3 x 11.3 in
The Metropolitan Museum of Artwork
He expanded on his discovery in his 1839 e-book by claiming that complementary colors – these reverse to one another on the color wheel – would seem brighter when positioned subsequent to one another. And when on a smaller scale, comparable to particular person threads subsequent to one another in a textile, complementary colors would seem as impartial colors from a distance. For example, a mix of blue and orange threads would seem gray after taking a step again. On this instance from a web page in his e-book, we are able to see one in every of Chevreul’s examples of color relationships that the pointillists had been referring to. Seurat and Signac used the findings on this e-book as the muse for creating their method by creating hundreds of tiny color relationships within the type of dots throughout their canvases.

De la loi du contraste simultané des couleurs, et de l’assortiment des objets colorés, considéré d’après cette loi (On the legislation of simultaneous distinction of colours, and of the assortment of coloured objects, thought-about based on this legislation), 1839, web page from e-book
Michel Eugène Chevreul
Colored lithograph foldout
The Metropolitan Museum of Artwork
Seurat additionally believed that pointillism was a way that might mechanise portray, with the intention that anybody might replicate it. He lived at a time when the Industrial Revolution was quickly shifting established methods of life in cities, and he noticed the social penalties play out earlier than his eyes. His work not solely depicted the higher courses of Paris, however the working class in equal admiration. He noticed his work as a type of labour, not so completely different from the manufacturing unit staff round him, so he labored out a method for pricing his work concurrent with a employee’s wage in Paris per hour of labor.
The repetitive dotting technique mirrored a flip in direction of mass manufacturing, and folks doing jobs the place they endlessly repeated the identical motion in factories. In his portray Circus Sideshow, we see an outline of a bunch of performers making an attempt to entice the general public into their tent to see the complete present, which was a preferred type of leisure for the working courses at annual festivals.

Circus Sideshow, 1887-88
Georges Seurat
Oil on canvas, 99.7 x 149.9 cm | 39.3 x 59 in
The Metropolitan Museum of Artwork
Seurat’s pal Paul Signac was equally a pioneer of Pointillism, and notably utilized the method to printmaking in his colored lithographs. We are able to see right here in his work Le Soir (Night) a luminous boating scene utilized in dots of color in 5 layers.

Le Soir (Night), 1898
Paul Signac
5 color lithograph on paper, 20.3 x 26.4 cm | 8 x 10.4 in
Nationwide Gallery of Artwork
Different notable artists who adopted Pointillism by means of working alongside Seurat and Signac are Lucie Cousturier and Anna Boch. Cousturier is credited as being the primary author to give attention to the Neo-Impressionists, and was a prolific exhibiting artist in her personal proper. Signac described her as having the “most dazzling colors” and “beautiful and pure style for shapes”. In her vibrant Self-Portrait, we see an exquisite mixture of colors dotted collectively that I’ve picked out within the cropped photographs

Self-Portrait, 1905-10
Lucie Cousturier
Oil on panel, 34.8 x 27.4 cm | 13.7 x 10.8 in
Newfields
Anna Boch was a Belgian painter who made pointillist work in her early profession. She later developed her particular person model and have become the one feminine member of the Les XX group. Alongside being a prolific painter, she was additionally a serious early collector of Publish-Impressionist work. She was the famed collector who purchased the one portray Van Gogh offered inside his lifetime – The Crimson Winery. In her portray Tijdens de Elevatie (In the course of the Elevation), we see a bunch of worshippers coming into their Church on a Sunday morning. There are areas of pure dots of color, and others with small dashes and a few brushstrokes, exhibiting her experimentation with combining pointillism with different types of mark-making.

Tijdens de Elevatie (In the course of the Elevation), 1893
Anna Boch
Oil on canvas, 74.5 x 113 cm | 29.3 x 44.5 in
Mu.ZEE
Demonstration of the Pointillism Approach for Portray
For my first demonstration, I wished to make an instance of a pointillist portray impressed by the palette of Circus Sideshow by Seurat. For my instance, I used Jackson’s Skilled Acrylic Paints on a Jackson’s Acrylic Paper Block. This instance would additionally work equally as effectively in oil paints with out utilizing any medium, to verify the dots don’t shift in place, or watercolour utilized strongly. It is a time-consuming method, however very satisfying as soon as the picture begins to seem in entrance of you.
I began my portray by doing a light-weight underdrawing in a light-weight blue pencil. Seurat himself made a lot of preparatory sketches for his works, and his work all have a broad underdrawing beneath the layers of dots.
Subsequent, I started on the central picture of my work, of an aerial hoop performer. I utilized the dots rigorously with a small brush, focusing totally on the determine to begin with. I left the areas the place I wished so as to add vivid lights clean for now.
After ending the primary move of the picture, I went again over the work, including larger depth with some contrasting and darker colors subsequent to one another.
To complete my portray, I returned to the areas I left clean and added a collection of yellow to orange and inexperienced dots to create the impact of vivid lights.
Suggestions: Don’t be afraid to overlap a few of your dots or paint over a few of them as you see match. That is going to be essential to the method, as you make choices in regards to the picture that seems whilst you work. Seurat’s work have areas the place the dots have some white floor seen round them, and others the place it’s nearly fully lined and layered up.
Keep in mind to step again from the work as you’re making it – the aim of pointillism is that the picture is unified from a distance!
Demonstration of the Pointillism Approach for Tonal Pencil Drawing
Subsequent, I wished to exhibit making a drawing with the pointillist method, this time with out utilizing color. Though the principle focus of the motion was to experiment with optically mixing color, additionally it is a very attention-grabbing impact when simply utilized in tone. For this instance, I used a Faber-Castell Pitt Graphite Matt Pencil in 4B on a sheet from a Jackson’s Cartridge Drawing Pad. You would additionally apply this system to drawing with charcoal or graphite.
First, I made a light-weight underdrawing of my topic – a nonetheless lifetime of a shell and a palette knife.
Subsequent, I started increase areas of sunshine and mid-tones in little circles, beginning on the shell. I didn’t ‘dot’ with my pencil as this may make a really tiny mark, however as a substitute drew little circles with it, in regards to the dimension of my brushstrokes from the earlier instance.
After increase my preliminary layer, I went again over the drawing to construct within the darkest tones.
Suggestions: Working in pencil from the lightest to darkest tones lets you erase any errors extra simply. If you happen to begin a drawing with the darkest tones after which determine the position is mistaken, the pigment could also be too robust to fully take away.
Demonstration of the Pointillism Approach for Pastel Drawing
Lastly, I wished to exhibit increase a pointillist work utilizing a restricted palette in pastels. As we are able to see in In the course of the Elevation by Boch and Night by Signac, it’s doable to construct up a posh picture utilizing pointillism with only a handful of colors. For the next demonstration I used Sennelier Oil Pastels on toned pastel paper.
To begin, I started the work utilizing a midtone color, Sky Blue, and positioned it across the darker fringe of the ocean, the highest of the sky, and the blue hills within the distance.
Subsequent, I moved on to my second color, Barite Inexperienced. I selected this one subsequent since I wished to make use of it to fulfill and blend with a variety of my blue areas.
Then I added my third and fourth colors, Lemon Yellow and Vivid Yellow (which is extra of a peach)
To finish the work, I added my darkest color, Crimson Violet, selecting up some areas of deeper tone.
Suggestions: Working with oil pastels in a Pointillist model doesn’t offer you a lot freedom to shift the marks you make, so if you happen to make a mistake, it may very well be finest to embrace it and incorporate the misplaced color into that space of the work, by including it in another dots of it close by the error. This may diffuse the ‘mistaken’ placement and make it look intentional.
Additional Studying
Color Mixing: The Versatility of a Six Color Major Palette
Recreating Van Gogh’s Color Palette with Fashionable Pigments
Color Mixing : Colourist Portray with Three Color Palettes
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