I’ll jam on it with no actual plan, simply exploring its chaotic, natural habits, after which I file lengthy takes of no matter comes out. After that, I run these recordings via Guitar Rig to see how far I can push them: saturating, reshaping, distorting, or softening them till they develop into utterly new sounds.
As soon as I’ve these textured layers, I add them again into the groove, however at all times very low within the combine – virtually hidden. The thought is that you just don’t consciously hear the feel, however in the event you mute it, the entire monitor abruptly loses depth and feels empty. These refined, half-invisible layers create a form of environment across the groove that makes every thing really feel extra alive, extra human, and extra three-dimensional.
I actually consider that texture provides an enormous quantity of persona and depth to minimal music. It’s the key layer that provides emotion to one thing that may in any other case really feel too clear or too inflexible. The groove provides the monitor its motion, however the texture provides it a soul.
Professional tip from Noha: Let the music breathe. Typically the very best factor you are able to do is step away for a couple of days. Come again later, and also you’ll hear it in a very new means.
