The Granollers Museum presents Brindis , the final solo exhibition by Aryz, a undertaking that’s conceived as an area of celebration and pause, the place the artist reveals fragments of the artistic course of and exhibits how he approaches the seek for his personal language and the recurring themes of his studio work.
Oils, lithographs, items on paper and a number of other unpublished notebooks that reveal the analysis of latest years might be seen on the Museu de Granollers. In them, Aryz’s ordinary follow of colossal muralism offers method to an equally monumental portray, with sober compositions and clear parallels along with his works in public area. As he did in his latest exhibition Preludio , the artist continues to pay homage to the craft, demonstrating his curiosity in printing strategies, similar to lithography or engraving, and, clearly, in portray.
The portray is static, however Aryz performs with this situation by making an attempt to characterize motion in a single picture. He fragments and superimposes parts, combining anatomical components with graphic fragments. His works operate as pictorial collages the place classical and modern parts, sacred and on a regular basis points coexist.
Brindis takes up, with irony, an open critique of the artwork system: of the concept artwork needs to be a product reserved for the elite, typically the least interested by it. In Brindis , Aryz deploys a celebratory gesture: a toast to the artistic course of, to the craft and to an historic follow known as portray.
