Like most individuals, I exploit Huge for lots of basslines. I do know this seems like a very easy factor but it surely’s efficient; I like open up the cutoff on the finish of every phrase (e.g. into breakdowns, drops or when introducing a brand new aspect or melody) to let the listener know one thing completely different is about to occur, then whenever you’ve made your level, you simply shut it once more to get again to that fuller bass.
I’ll additionally generally simply steadily open it up all through the monitor, it’s delicate however will increase the vitality as a monitor evolves.
Actually although, generally they’re simply finest left alone. I used the “Child Cybermen” patch in a latest remix I manufactured from Kraftwerk’s “Autobahn.” I knew I had the patch and melody I needed, so I dicked about with it for hours (and obtained nowhere). I ended up actually simply resetting it and utilizing the preset with some very minor tweaks. So I assume preliminary sound choice is simply as vital as making an attempt to tame a patch.
