Microphone polar response patterns are less complicated than they appear. The polar sample of a microphone dictates the place across the microphone it can choose up and seize sound, affecting the best way you must and shouldn’t level the microphone at sources to get the perfect out of it, permitting you to manage bleed from different sources and focus in on what you’re making an attempt to report. You should use polar patterns to nice impact to each seize sound when a supply is inside the polar sample or reject sound when it’s not.
Because of the fun of physics and the section polarity of a sound wave, completely different microphones provide distinct polar patterns, that means completely different areas of rejection, which in flip assign them to completely different roles on the stage and within the studio.
There are three most important microphone polar patterns: cardioid, figure-of-eight and omnidirectional. An omnidirectional sample captures sound in a spherical form round the entire microphone capsule entrance to again, left to proper, up and down, and does so with equal strain on all sides. A figure-of-eight microphone, nevertheless, captures sound from each back and front, however at reverse polarities to one another. Combining these two patterns results in areas of the unique omnidirectional sample being cancelled the place the other polarity within the figure-of-eight sample overlaps, and ends in the cardioid sample.
Cardioid

Greatest for: Capturing sources intimately and decreasing bleed.
Cardioid patterns are extensively out there on dynamic and condenser microphones, and chosen for sources that want isolation from the world round them. Because of this, cardioid mics are extensively utilized in dwell settings as they’ll choose up a singer’s voice however reject the screaming crowd in entrance of them, or for a snare drum to choose up the snare’s crack however not the washy hi-hat above it. The (in)well-known Shure SM57 and SM58 microphones are dynamic cardioid mics and are extensively used dwell.
Hypercardioid is one other widespread polar sample, providing extra seize behind the mic, however superior rejection to the edges.

Various the extent of every sample causes each extra and fewer cancellation in areas of overlap, creating each supercardioid and hypercardioid patterns. These are as useful for rejecting sound as they’re for capturing it.
Many condenser microphones provide variable polar patterns on this approach, permitting you to change between cardioid, omni and figure-of-eight, some even providing patterns between the patterns for high-quality tuning. A well-known instance of that is the AKG C414, trusted for its clear, detailed, dynamic and wealthy sound. Alternatively, some condensers provide the whole lot you want in a easy, cardioid package deal, just like the Neumann TLM 103.
Regardless of the unique discovery of the cardioid sample through an omni and figure-of-eight design, many variable microphones use twin cardioid patterns to change between the polar patterns for a extra constant, dependable and correct consequence.
Extremely-directional

Greatest for: Detailed sources the place mic placement is paramount, comparable to speaker cupboard cones, rooms, dwell vocals.
Whereas technically supercardioid and hypercardioid polar patterns fall underneath this class, they deserve their very own recognition. Very similar to a subcardioid removes somewhat of the figure-of-eight’s affect and permits somewhat extra rear data, hypercardioid and tremendous cardioid polar patterns characteristic rather less data on the expense of somewhat extra rear data; principally atmosphere and room sound, including to the pure high quality of the ensuing sound! Some nicer condensers characteristic repeatedly adjustable polar patterns, like these from Lewitt, that’ll slip into and out of tremendous and hyper cardioid as you shift from cardioid to figure-of-eight shapes.
Workhorse dwell mics just like the Sennheiser e906 are supercardioid, not fairly as excessive as hypercardioid, however are used for his or her directionality and rejection to the edges. That is particularly useful on a stage the place guitar amps are going through ahead, and the remainder of the band lies to the left and proper.
Determine-of-eight

Greatest for: Atmosphere, roominess, natural-sounding recordings the place somewhat bleed isn’t a difficulty.
The unique figure-of-eight microphone captures sound at the back and front of its capsule, however affords superior rejection to the edges than a cardioid, and naturally, an omni. This makes it a super choice for capturing a supply and a little bit of room sound — a vocal in an remoted house, for instance. One other use is for a singer-songwriter model efficiency, the place you possibly can nestle a mic round chest top, with the capsules pointed on the singer’s voice and the opposite on the guitar, with superior rejection exterior of these sources.
Ribbon mics, just like the Royer 121 and sE VR1, are nearly solely figure-of-eight due to their ribbon design. The capsule requires much less strain from each side so the fragile ribbon can seize detailed sound.
Determine-of-eight can be mixed powerfully with different microphones with completely different polar patterns, which we’ll focus on later.
Omnidirectional

Greatest for: Capturing house in addition to a supply, or capturing a number of sources from the centre of a room.
Omnidirectional microphones are top-of-the-line methods to seize the final atmosphere of a room, and as a devoted room microphone for drums, orchestras and extra. They’re additionally routinely dependable for talking and broadcasting, so long as the atmosphere isn’t too noisy.
Due to their means to seize sound in any respect angles, omni microphones provide a pure consequence that helps to place the listener in an acoustic house. There’s at all times somewhat noise beneath the primary supply when utilizing an omni microphone, both the atmosphere of the room or, relying on how tightly mic’d your sources are, bleed from different devices.
Omni mics are finest used when bleed isn’t a difficulty, and so they’re particularly helpful for connecting spot mics collectively on drums or bigger bands. Tread fastidiously when utilizing omnidirectional in a dwell setting; you’ll get an entire lot of the whole lot. However hey, no danger, no reward.
Subcardioid
Greatest for: Pure sounds in remoted environments; subcardioid can permit extra spill and bleed into the mic.
Subcardioid is simply what its title suggests. It’s much less, uh… cardioid than cardioid. The affect of the strain of the figure-of-eight form is refined to scale back how a lot cancellation is occurring to the preliminary omni form. This makes the subcardioid like an off-kilter omni, choosing up loads of sound from the entrance and aspect, with out as a lot rejection behind the mic. This affords extra pure atmosphere, with out capturing as a lot as an omni mic, providing extra course than an omni mic however lower than a cardioid.
You’ll discover subcardioid mics generally within the broadcast world, typically connected to the top of goosenecks to simply manoeuvre them in direction of their supply. They’ll seize the total frequency of a voice and the atmosphere that surrounds it. This makes them efficient for acoustic devices in a pleasant house, so long as there’s not an excessive amount of bleed from different devices to take care of! Subcardioid mics, just like the Shure KSM9HS or mics with switchable polar patterns, just like the Josephson Engineering C725, are good for capturing that mix of focus and atmosphere. For extra focus, although, you’ll desire a shotgun mic…
Shotgun

Greatest for: Movie, TV and broadcast. Shotgun mics are additionally nice for pinpointing sources like percussion, hi-hats, experience cymbals and so forth.
Shotgun mics mix tight, directional polar patterns, like hypercardioid, and add extra directionality with an interference tube. An interference tube acts just like the aforementioned vents to form the polar sample, as a substitute being a principally acoustically clear tube that filters sound extra closely on the edges than the entrance, permitting the polar sample to be extra directional. The open finish of the tube permits in additional sound, whereas the tube’s partitions filter sufficient sound for directionality, however not a lot that sound is blocked or bounced round fully.
Shotgun mics work so properly that they’re used most frequently in movie, radio and broadcast as they are often positioned above a supply at a distance and nonetheless have little or no bleed and interference with sounds round it — when capturing an actor’s voice, for instance.
The small quantity that these mics seize from the rear and sides of the mic offers it somewhat pure atmosphere and prevents the sound from being too medical.
Whereas not used as typically in music, shotgun mics can completely discover a place within the studio and on the stage. The Aston Starlight is a small diaphragm condenser with extremely targeted sound, a lot in order that it incorporates a laser for pinpointing your supply. Moreover, RØDE produce some industry-standard shotgun mics for these dipping their toes in.
Combining polar patterns
Combo
Some extra advanced stereo mic preparations can yield polished-sounding outcomes with some know-how. As mentioned earlier with the polarity relationships between microphones, you possibly can develop on this with each polar sample and polarity relationship in thoughts.
Mid-side micing is among the extra intriguing patterns, combining a figure-of-eight microphone and a cardioid mic for one supremely large but targeted recording. Utilizing a cardioid mic pointed instantly at your supply, add a figure-of-eight mic positioned sideways with the supply at a null level.
In your DAW or in your console, multiply the figure-of-eight mic (console) or duplicate the observe (DAW) and flip the section of certainly one of them. Flipping the polarity cancels out the shared sound, leaving solely the distinction that creates an extra-wide sound. This leaves you with a Mid observe through the cardioid mic, and a Aspect observe to mix to style.

Blumlein Pair
Persevering with with our figure-of-eight associates, the Blumlein mic approach makes use of two mics off-axis with one another. Versus omnidirectional, which captures sound at each angle, the Blumlein approach is 2 figure-of-eight mics used to fill in the primary null factors of every mic. The benefit right here is that there are nonetheless 4 null factors, offering a extra targeted, however nonetheless natural-sounding consequence. These mics will be aimed toward your supply or positioned off-axis for extra diffuse outcomes.
AB, XY and ORTF
AB, XY and ORTF are commonplace stereo micing methods that develop on the common-or-garden cardioid sample.
AB
AB micing makes use of two cardioid mics spaced aside however pointed straight forward, normally positioned on both aspect of an object and delivers a large stereo unfold due to how directional the mics are. For instance, AB micing with drum overheads normally has your mics positioned someplace excessive of the hi-hat, with the opposite mic positioned close to the experience. AB micing a choir would have mics on both aspect of the choir however pointed straight forward.
XY
XY makes use of left and proper mics once more, however the mics are positioned nearer collectively and crossed over one another. The ensuing sound is an equally robust stereo picture, however much less give attention to the centre, making approach for a spot mic or two to fill the hole/s.

ORTF
ORTF makes use of mics that face away from each other, versus crossing over. The consequence has extra width and retains a extra constant centre and stereo picture general.
Additional experimenting
One of the simplest ways to grasp micing methods is to experiment and see what you want. The traditional polar patterns being cardioid, omni and figure-of-eight can get you very far, however a handful of specialist mics, whether or not meant to be used in your subject or not, can’t solely assist elevate productions but in addition make for a neater combine with much less bleed, or alternatively, sufficient life and atmosphere left within the recordings to depart them be!
There’s no proper or fallacious in recording, however there’s positively right-er and wrong-er, so somewhat know-how goes a good distance.


