How a lot do you depend on the built-in saturation and EQ instruments inside Battery versus exterior plugins?
I exploit the built-in results principally for character. If I would like a unclean, distorted kick, I’ll slam it by means of Battery’s saturation, perhaps add some bitcrushing, then tame the highest finish with the low-pass filter. The pattern engine set to s1200 mode is a pleasant CPU-friendly method to get lo-fi texture too.
For extra excessive results, I’ll typically flip to the stretch sampler – Battery’s model has a singular character that differs from Ableton’s warping. As soon as the person hits are feeling proper, I’ll normally transfer outdoors of Battery and group every little thing to a drum bus.
From there, it’s EQ, bus compression (SSL or API fashion), tube or tape saturation, and generally mushy clipping or an inflator if the monitor must hit more durable with out sharp transients.
Professional tip from Bearcubs: Run your drum bus by means of a guitar results pedal or amplifier and re-record into your DAW. You can even simply play the drum loop by means of the audio system and document with a mic on the alternative facet of the room. Take this recording and both closely distort or compress it.
You may obtain actually fascinating sounds this fashion that take you out of the field, a use case is perhaps if you wish to have the drums in a breakdown part earlier than a refrain however make them really feel extra distant so there’s a giant distinction when the refrain drop lastly comes.
