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Did Tintin Creator Hergé Collaborate with the Nazis? A Historic Investigation

Admin by Admin
December 4, 2025
in Culture
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Did Tintin Creator Hergé Collaborate with the Nazis? A Historic Investigation
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The Adven­tures of Tintin could also be a chil­dren’s com­ic sequence from mid-twen­ti­eth-cen­tu­ry Europe, however its enchantment has lengthy since tran­scend­ed the certain­aries of type, cul­ture, and gen­er­a­tion. In reality, many if not most seri­ous­ly ded­i­cat­ed followers of Tintin are in mid­dle age and past, and few of them can have keep away from­ed ever con­sid­er­ing the ques­tion of his cre­ator’s activ­i­ties dur­ing the Sec­ond World Struggle. Georges Remi, identified by the nom de plume Hergé, was born to a low­er-mid­dle-class fam­i­ly in a Brus­sels sub­urb in 1907: utter­ly mun­dane start­nings, per­haps, however ones that may result in what the apoc­ryphal historic Chi­nese curse calls inter­est­ing occasions, even for a younger man whose inter­ests did­n’t run far previous scout­ing and draw­ing.

After serv­ing within the Bel­gian military, explains his­to­ry YouTu­ber Mark Fel­ton in his new video above, Remi was employed by the con­ser­v­a­tive Catholic paper Le Vingtième Siè­cle to attract comics for its chil­dren’s sup­ple­ment Le Petit Vingtième. It was there that he grew to become Hergé and cre­at­ed the boy reporter Tintin, whom the paper’s edi­tor requested to be despatched to a fic­tion­al­ized Sovi­et Union so as to expose the evils of the Bol­she­viks. Pop­u­lar­i­ty got here imme­di­ate­ly, and constructed as much as the diploma that an actor was employed to place his hair right into a quiff and “return” by prepare to an appre­cia­tive crowd in Brus­sels upon the sto­ry’s con­clu­sion. There fol­lowed the fur­ther adven­tures of Tintin within the Con­go (on the time, a Bel­gian colony) and Tintin in Amer­i­ca, each of which have since are available in for an excessive amount of crit­i­cism for his or her reliance on stereo­sorts.

Although very a lot his personal artist, Hergé at this stage let the pol­i­tics of Tintin sto­ries be dic­tat­ed by excessive­er-ups. Con­ceived in response to Japan’s inva­sion of Manchuria, The Blue Lotus, from 1934, did supply him an oppor­tu­ni­ty to extend the actual­ism of his artwork, ren­der­ing the appear and feel of Chi­na as accu­price­ly as his analysis may make pos­si­ble; he con­tin­ued to incor­po­price massive quantities of element from all around the world into The Bro­ken Ear, The Black Island, and King Ottokar’s Scep­tre. Although that final offers with fic­tion­al Euro­pean coun­tries, it additionally clear­ly sat­i­rizes the inva­sive ten­den­cies of Hitler’s Ger­many — which might come for Hergé’s residence­land in 1940, shut­ting down Le Petit Vingtième, placing him out of a job, and even req­ui­si­tion­ing his residence.

Even­tu­al­ly, Hergé land­ed on his ft and joined Le Soir, Bel­gium’s largest French-lan­guage information­pa­per. Although he may pub­lish Tintin there, the Nazis had turned it into their ide­o­log­i­cal mouth­piece, a proven fact that did­n’t mirror effectively on Hergé after the Allied vic­to­ry. He discovered him­self black­listing­ed and cat­e­go­rized with the thou­sands of Bel­gian col­lab­o­ra­tors who may obtain the dying penal­ty or life in jail, however an inves­ti­ga­tion into his case discovered him to be “a blun­der­er somewhat than a trai­tor” — shades of P. G. Wode­home mak­ing broad­casts in regards to the lighter facet of intern­ment for the Gestapo. His good stand­ing as a cit­i­zen and artist was even­tu­al­ly restored, although even right now, his wartime activ­i­ties are occa­sion­al­ly referred to as into ques­tion. Nonetheless, he was in a position to con­tin­ue Tintin’s adven­tures till he died in 1983, engag­ing in solely the type of col­lab­o­ra­tion he may do together with his workers at Stu­dios Hergé.

Relat­ed Con­tent:

Hergé Attracts Tintin in Vin­tage Footage (and What Explains the Character’s Endur­ing Attraction)

How Andy Warhol and Tintin Cre­ator Hergé Mutu­al­ly Admired and Influ­enced One Anoth­er

Comics Impressed by Wait­ing for Godot, Fea­tur­ing Tintin, Roz Chast, and Beav­is & Butthead

How Dis­ney Fought Fas­cism with Professional­pa­gan­da Automotive­toons Dur­ing World Struggle II & Avert­ed Finan­cial Col­lapse

How the Nazis Waged Struggle on Mod­ern Artwork: Contained in the “Degen­er­ate Artwork” Exhi­bi­tion of 1937

The Nazis’ 10 Con­trol-Freak Guidelines for Jazz Per­type­ers: A Unusual Checklist from World Struggle II

Based mostly in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His tasks embody the Sub­stack newslet­ter Books on Cities and the e book The State­much less Metropolis: a Stroll by Twenty first-Cen­tu­ry Los Ange­les. Fol­low him on the social internet­work for­mer­ly referred to as Twit­ter at @colinmarshall.



Tags: CollaborateCreatorHergéHistoricalInvestigationNazisTintin
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