Artist
Juxtapoz Journal – Richard Prince Brings “Posters” to Marfa
Hetzler | Marfa is happy to announce Posters, a solo exhibition of works by Richard Prince, for the gallery’s annual...
An Exhibition Celebrates the Self-Taught Immigrant Artists Shaping Chicago — Colossal
Constructed on the normal homeland of the Sauk, Fox, and Potawatomi peoples, Chicago is a metropolis of immigrants. Simply 13 years...
Natalia Zanchevskaia: The Artwork of Stillness in a Stressed World
Natalia Zanchevskaia: Carving Emotion Via the Delicate Power of Line Working primarily with charcoal, gouache, and acrylic, Zanchevskaia treats every...
College of Visible Arts College Are Formally Unionized
Over 1,000 school members on the College of Visible Arts (SVA) in Manhattan are formally unionized as of Thursday, Might...
“Stolen Heirlooms” by Artist Kellen Hatanaka
A group of sculptures representing the losses skilled by Japanese Canadians throughout the Second World Conflict by multidisciplinary artist Kellen...
Untitled Artwork Names 84 Exhibitors for Inaugural Houston Version
Untitled Artwork has introduced the 84 exhibitors that can happen in its inaugural version, which can run September 19–21, with...
Juxtapoz Journal – This Grass is Inexperienced: Samala Meza New Works with Carlye Packer @ Sidecar, Los Angeles
Carlye Packer is proud to current This Grass is Inexperienced, Los Angeles-based artist Samala Meza’s first solo exhibition with the gallery. Opening Friday, Might...
Stephen Shames Highlights a Transformational Period in ‘Black Panthers & Revolution’ — Colossal
Accomplished in 1940, California Freeway 17—now Interstate 880—bulldozed an enormous swath of Oakland’s African American group to make room for...
A Journey By way of Artwork and Religion – IMAGELLA
Introduction The depiction of non secular symbols in artwork has a wealthy and storied historical past, deeply intertwined with cultural...
