Andréanne Oberson: The Alchemy of Transformation
Transformation, each bodily and metaphorical of life, lies on the coronary heart of Andréanne Oberson’s creative imaginative and prescient. Her influences replicate this preoccupation, drawing from avant-garde actions like Dada and Surrealism, the narrative fragmentation of William S. Burroughs, and the unsettling cinematic language of David Lynch. Echoes of Rebecca Horn’s mechanical extensions and Matthew Barney’s mythological narratives resonate by means of her work, as does the ethereal, immersive method of Pipilotti Rist and the speculative sensibilities of Anicka Yi. But, it’s maybe the writings of Wassily Kandinsky, notably In regards to the Non secular in Artwork, that almost all intimately align together with her pursuit of artwork as a conduit for the unseen, the intuitive, the inexpressible.
One of the vital emblematic manifestations of this method is her efficiency piece Ah! C’est encore toi!, staged within the attic of St. Anthony’s Church in Bern. This area, poised between sky and earth and illuminated by a glass roof, turned the positioning of an introspective ritual. There, Oberson engaged in a meditative act of drawing ephemeral shapes with salt upon suspended glass tiles, impressed by Gustave Flaubert’s The Temptation of Saint Anthony. Every gesture shaped a transient sample that was then gently swept away, solely to provide rise to a different. This cyclical act of creation and erasure spoke of vulnerability, therapeutic, and the passage between seen and invisible states. The interaction of salt, gentle, and glass summoned a quiet but highly effective dialogue between matter and spirit, providing a poetic metaphor for inside transformation.
Past efficiency, her affinity for fluid mediums like watercolor and ink underscores this embrace of unpredictability and movement. These supplies, with their capability for transparency and shock, mirror Oberson’s personal creative philosophy: to stay receptive to probability, to navigate between management and give up. Water imposes its personal rhythm, compelling the artist to attend, to look at, to reply relatively than impose. This delicate stability between intentionality and accident permits her to domesticate works that resonate with emotional depth and openness.
All through her evolving apply, Oberson stays guided by a need to foster connection—between artist and viewer, between language and silence, between physique and area. Whether or not by means of sculpture, pictures, efficiency, or publication, her work insists on the efficiency of listening and the need of transformation. Even in her desires of a future challenge—a e book intertwining poems and pictures to discover love and therapeutic—this impulse persists. For Andréanne Oberson, artwork isn’t merely the act of creation however a profound journey into the areas the place phrases fail and resonance begins.
