If you’re constructing a sound, do you propose your modulation from the beginning, or does it occur naturally as you tweak?
Typically, the artistic course of is kind of natural. I often begin with a primary patch and depart room for exploration and experimentation, which permits me to find modulation settings I hadn’t deliberate from the outset. This spontaneous method usually results in distinctive and sudden outcomes.
Nevertheless, there are occasions when I’ve a transparent imaginative and prescient of the ultimate sound. In these instances, I plan the modulation from the very starting, mapping out particular routes that improve the meant character. This technique helps keep a coherent course whereas growing the sonic concept, guaranteeing each modulation component serves a objective.
In the end, flexibility is essential. Typically the preliminary concept evolves, and modulation turns into a strategy of discovery, permitting you to fine-tune the sound intuitively. This mix of planning and experimentation really enriches the sound design course of.
