Not lots of people I’ve come throughout know the identify Nothing. It’s virtually a hushed phrase, a kind of issues the place those that know, know, and I like that in a model, however this London firm, based by Carl Pei in 2020, now describes itself because the quickest rising smartphone and shopper audio model on the planet. That’s an enormous declare, however what pursuits me extra is the way it received there. Greater than 11,000 neighborhood traders sit alongside the standard backers, and it has constructed a following that genuinely talks again to it.
The Headphone (1) arrived final yr as its first over-ear mannequin, and the Headphone (1) Professional is the observe up, with a partnership with Metropolis Studios behind it. It is a ground-up construct relatively than a sticker slapped on one thing that’s already promoting (no shade on another manufacturers).
If you happen to don’t know Metropolis, it’s a correct working studio, arrange in London greater than thirty years in the past by producer and engineer Gary Langan, whose credit embrace Queen and Sure. It now lives in The Energy Home on Chiswick Excessive Street, and everybody from Amy Winehouse and Adele to Kendrick Lamar has recorded there. Collaborations on this house typically cease on the brand, so it’s good to lastly see a correct marriage between a headphone maker and an precise audio engineering firm, with Metropolis having a hand within the Flat EQ, the Studio B spatial mode and 5 style EQs.
I used to be just lately contacted by Nothing to see if I’d be excited by their new Headphone (1) Professional, which has simply come out. It has been some time since I final reviewed a pair of headphones, so I knew I’d actually need to street check these as finest I might.
I ought to say up entrance that I’ve by no means actually been a wi-fi headphones type of man, not to mention one to put on them out in public. Through the years I’ve tried numerous manufacturers and was by no means fairly bought on the entire thing, which is partly why this one piqued my curiosity. The opposite half is that I’m a latest convert to Nothing telephones. I spent years as a Sony Xperia fanboy, however a Nothing cellphone is my go-to from right here on out, so I figured, why not? What did I’ve to lose? Because it seems, I had loads to realize, which I’m glad to confess, and I’ll get into that under.


Halfway by testing, I got here down with a nasty flu and head chilly, which is hardly splendid when your job is to pay attention intently. It wasn’t going to cease me.
So, let’s begin with the packaging. It’s a reasonably typical field, 99 per cent plastic-free, nevertheless it felt heavy within the hand. I put that right down to having worn little else however my Sennheiser HD-25s for many years, and people barely weigh greater than a sheet of paper. Was I postpone? No. I used to be right here to be taught and preserve an open thoughts. Why trouble doing a evaluation in case you’ve already made your thoughts up?
The load, it seems, is generally the case. At 383.5 grams it weighs greater than the headphones it carries. It’s a hardshell affair with a comfortable lining, and at first I assumed it was a charging case. Nope, it’s only a case. At first look I actually didn’t just like the gray. That’s a private factor, I simply don’t like that specific shade, and I want mine had are available black to match the headphones. Nothing has given it a impartial base and an built-in loop for keychains, straps and charms, so it clearly expects folks to make it their very own, and since then I’ve seen house owners turning them into luggage and all types. It’s a must to give it to Nothing, I’ve by no means seen a higher neighborhood than the one it has constructed. Take a look at their Instagram if you wish to see what I imply.


Out of the case, I used to be stunned by how gentle the headphones felt. On paper they arrive in at 327 grams, greater than double my HD-25s, but on the top they really feel nothing prefer it, and that’s with batteries, titanium arms, an aluminium body and scratch-resistant glass on board. I’ll put the complete specs on the backside for the technically inclined relatively than bore you with them now.
Now, I’m not one to learn directions, and like most individuals I simply wished to show them on, join and go. I assumed it could be so simple as that, however with a curler, a paddle, a button and a few switches to get my head round, I figured both I used to be getting previous, this was all commonplace on wi-fi headphones now, or I used to be about to be taught a factor or two. It was largely the final one.
The structure makes extra sense as soon as you understand the pondering behind it. Nothing says the controls reference 90s audio gear, with the on a regular basis ones out within the open and the specialist ones tucked away. The curler handles quantity and play or pause, and a protracted press strikes between noise cancelling modes. The paddle skips tracks and takes calls. The button may be set to a voice assistant, the digicam shutter or ChatGPT, after which there’s a devoted change for Flat EQ, which I’ll come again to.
Keep in mind, I’m utilizing a Nothing cellphone, so connecting was about as simple because it will get. Nothing says Android and iPhone customers get one-tap pairing too, although I can solely converse for my very own setup. Both approach, I do love the all-in-one approach Nothing ties every little thing collectively, the UI included. A fast join, a firmware replace within the Nothing X app, and we have been in. Time to suit and play.
As I discussed, outdoors of the studio or decks, I’ve by no means been an enormous fan of over-ear headphones for private use. They’ve all the time felt a bit cumbersome to me, and I are likely to want in-ear, which is a bit more discreet. That mentioned, I all the time put on over-ears when flying, as a result of for long-haul consolation you simply can’t beat them. Handily, it’s reported that these will run for as much as 30 hours with noise cancelling on and as much as 68 hours with it off, which is shut to 3 days of continuous listening.


I couldn’t consider how snug they’re. The smoothest really feel, the lightest contact. The cushion foam is 50 per cent softer than on the unique Headphone (1), the padding is thicker, and the ear cups pivot to observe the form of your head. Nothing additionally says the froth flexes round glasses and piercings, which is able to matter to lots of people.
Firing up the app, I immediately realised I might hear my very own ideas. The noise cancellation was clearly doing its job. There are ten microphones in complete, 5 on all sides, feeding an adaptive system that shifts between low, medium and excessive relying in your environment, for as much as 46 dB of discount. Earlier than I received too misplaced in my very own ideas, I figured it was time to place some music by them and have a mess around. That is the place the enjoyable begins.
There have been so many tracks to select from. I wished to check a couple of classics I’d be listening to anyway, plus some really useful check tracks, digital and in any other case, to present them a very good run.
First up was “Giorgio by Moroder” by Daft Punk, a correct check of soundstage and spatial consciousness. As Giorgio’s spoken story provides approach to that crisp, multi-layered synth development and the driving 4/4, it is best to be capable to pinpoint the position and width of every instrument throughout the stereo area. Toggling by the spatial modes, I settled on Studio B, which Nothing developed with Metropolis Studios to recreate the texture of sitting within the centre of their management room. I started melting into my chair, my thoughts drifting off to some Seventies room lined with shagpile carpet on the ground, partitions and ceiling, immersed in a heat glow of sound. The readability, the accent on every sound, it was a complete immersion. I didn’t need to transfer. What have been these headphones, and why hadn’t I had a pair earlier than? I used to be a fast convert to over-ears, a press release certainly one of our staff later laughed at, however the heat and depth have been exhausting to argue with.
I wished to present them a correct exercise, so I switched to the Membership spatial mode, then went into the EQ library and downloaded the Electronica profile, certainly one of 5 style EQs Metropolis tuned particularly for these headphones. I by no means had something like that on my Sony WF-1000XM5s. Nothing actually does take into consideration the main points for the individual utilizing them.
Subsequent up, time to check the bass, and I reached for “Psychosis” by Peshay. An absolute traditional with orchestral strings and deep bass punches examine how properly these headphones deal with a fancy drum texture, rhythm modifications and transient pace. What I didn’t count on was for the sound to shift as I moved my head, giving a form of stereoscopic really feel. That’s the top monitoring in Nothing’s Dynamic Spatial Audio. Fortunate for me, I’m not vulnerable to swinging my head backward and forward, and I’m certain it may be switched off. Flicking on Flat EQ actually turns spatial audio off altogether. The bass itself was clear and deep with no distortion in any respect, courtesy of a 40 mm bass driver that’s certainly one of three in every cup, every masking its personal slice of the frequency vary.
However this was drum and bass, and I wished to gear it up a bit with one thing a bit extra driving, to see how they deal with techno. Time for Underworld’s “Born Slippy (Nuxx)”. That distorted synth line and driving kick quickly reveal whether or not they have a good, rhythmic punch or a bloated low finish that bleeds into every little thing else. What I cherished right here was the amount. Pushing my HD-25s repeatedly to their peak, and after some time my ears begin to damage. Pushing these was a reasonably snug expertise, very similar to standing in entrance of a very good L-Acoustics system at an occasion. Stable and clear, nothing (no pun meant) that leaves you exhausted. I might truthfully have them up for fairly a while with out feeling like my ears had simply run a marathon. After 30 years behind the decks, I’m very cautious of that, and my ears are most likely the one factor I really handle as of late. It is a huge plus for me.
Subsequent up was certainly one of my all-time favourites, Fatima Yamaha’s “What’s a Woman to Do”, to check the nuance between layers. Time for the Flat EQ change, one thing most headphones don’t provide. Developed with Metropolis, it’s a impartial profile that strips out colouration and processing, the setting you’d need when reviewing a mixture. I’m not sitting within the studio for this street check, however I’ll sooner or later, utilizing each wi-fi and the USB-C wired setup for lossless playback at as much as 24-bit/192 kHz, the complete FLAC expertise. I’ll report on that one later.
By most requirements it’s fairly a minimal observe, however the layering is advanced and about as near studio perfection as you may get. That’s my very own opinion, combat me within the feedback. I virtually felt like I used to be listening to it for the primary time. The readability, the subtlety, the cues it picked up, all clear and crisp, simply as meant within the studio. That is the place the triple driver setup earns its preserve, with a devoted precision driver for the mids and a solid-state xMEMS driver dealing with the highest finish. I’ve at hand it to Nothing, they’ve excelled.
I’m not saying these are the very best headphones for the studio, and I’m certain loads of folks shall be fast to level me elsewhere. However for the Nothing person who desires one pair for day by day listening that may additionally deal with opening Ableton on the tube and placing a observe collectively between stops, they work completely. Plug within the 3.5 mm cable with Flat EQ on and latency drops under 15 ms, which issues if you’re laying down elements. Not many headphones can cross so many borders of sound and usefulness, and for that, I’d suggest them. If you happen to’d like me to have a sound engineer street check them in one other evaluation, let me know.
Switching Flat EQ again off, I wished one thing away from digital music altogether, so I reached for the dwell model of Alanis Morissette’s “Uninvited”, with spatial audio switched on within the Nothing X app. It was spine-chilling, and it’s one you actually need to listen to in spatial audio. A great reminder that these aren’t simply constructed for the membership.
By this level I’d began going by observe after observe, down the musical rabbit gap, and I virtually forgot I used to be purported to be reviewing them. Actually, I might write one other 4,000 phrases on the EQ settings alone. There’s a Easy EQ with presets, an Superior EQ the place you drag tuning factors anyplace between 20 Hz and 20 kHz relatively than working with mounted bands, a Private Sound profile constructed from a listening to check within the app, and the neighborhood EQ library. A few of these options go above and past most manufacturers, particularly at this worth. You get loads of headphone in your cash. I’d count on this from some a lot greater finish manufacturers, a couple of of that are sitting in my drawer. I gained’t identify names, however they value much more and are available with none of those options.
Then there’s slightly quirk, one thing I hadn’t even thought to search for. Take the headphones off and, properly, the music stops, then picks up once more if you put them again on. It’s the little issues we don’t take into consideration, I assume.
Not everyone desires a mass of options, and that’s fantastic, however I doubt Nothing customers would tolerate something much less. And Nothing hasn’t merely thrown options at one thing to one-up one other model, the way in which a few of the newer Chinese language electrical automobile makers preserve doing. Do you actually need a fridge in your glovebox? As an alternative, it has constructed a neighborhood of designers, audiophiles and individuals who genuinely care in regards to the interface, the contact and the tactile really feel, whereas preserving it sensible. And to my thoughts, they give the impression of being very cool.


What actually will get me in regards to the model is that it listens. Nothing actively encourages suggestions from its customers, good and dangerous, and builds on it. I can’t say that about many different manufacturers.
So, I ought to wrap up with what I feel is sweet and dangerous, and I’ll begin with the dangerous. I don’t just like the case. I assumed it appeared slightly cheesy and really plastic for what’s in any other case a premium package deal, and it didn’t fairly determine with the model. It simply appeared off. It’s not an enormous buying issue for me, and to be sincere I doubt I’d ever use it, so it will likely be relegated to the again of the cabinet. But it surely lets down the general high quality of the headphones and packaging, and for lots of people, look, fashion and really feel are every little thing in a consumerist, social media world.
I additionally assume a small welcome observe would go a good distance, a letter that invitations you to enroll to the neighborhood, so you are feeling like a part of an unique membership that is aware of good tech and elegance, and you understand what it means to be in it. Perhaps make that a part of the welcome QR code that installs the app and firmware. It’s the little touches that make a model, particularly one as area of interest as Nothing. I need to really feel like one of many cool youngsters.
Yet another, and rightly or wrongly, I really feel I can’t fairly drive the sound to get that further bit out of them. Everyone knows the sensation. You’re within the vibe and also you need to push it that little bit additional for a tad extra, and right here it one way or the other feels restricted. Now, I can completely perceive why, given what I mentioned earlier about taking care of your ears, however with the cool issue this model has, is there a approach to make them go to 11? Only for a tiny bit? Perhaps it’s simply me, reminiscent of one other day.
As for the great, I’m nonetheless slightly in awe, and as I mentioned above, I might write for days on every characteristic, the styling and the convenience of use. Would I put on these out day by day? Hmm, I don’t assume so, and that has nothing (once more, not a pun) to do with them. I’m simply not a fan of sporting over-ears on the road. Perhaps it’s from residing in Hackney for thus a few years, however I don’t need to entice consideration. On the prepare, the tube or a flight although? You wager. Anybody who lives in London is aware of how loud the tube is, and for these 5 seconds of peace you crave, these with noise cancelling on will ship you into Narnia. Every part round you fades away, and it’s simply you and your music.
That mentioned, I’d love to listen to the distinction between these and Nothing’s Ear (3) in-ears for commuting. As somebody who flies rather a lot, they’ll be very welcome on board, and I’m street testing them on a flight this week, so I’ll put up an replace for these .
One caveat. Every part above has been about digital music, however on the facet I loaded up Pearl Jam’s “Alive”, Metallica’s “Nothing Else Issues” and Radiohead’s “Every part in Its Proper Place”. What does one say? All three name for one thing slightly specialist from a pair of headphones, and two out of three landed. On that facet of issues, I’d give them 8/10.
Now, you would possibly assume that’s harsh. To some it’ll be about proper, to others no approach. Given a check mattress of FLAC information to work by, I might see that rating going up, however I felt they have been being pushed a tad on these tracks, with a slight distortion creeping in.
Which brings me to the ultimate stretch of testing. I needed to keep sceptical. I couldn’t let these headphones suck me in fully, I needed to discover some form of fault. So how did I’m going about it, and did I handle it? It needed to be Jamie xx’s “Gosh”. I imply, who cares, I needed to put it in. That bass, the push of the vocals, that siren of sound. I simply had to listen to it as soon as at its peak. I’ll go away it to you to work out what I received from it.
Then there was one observe I merely needed to check, Rone’s “Human”. A number of years in the past I had the actual pleasure of spending time with him and his orchestra on the Barbican in London for what was then his new album. It’s a tune meaning a lot to me, nevertheless it’s additionally an excellent observe for placing headphones by their paces. Take a look at with something much less and, properly, I can’t enable you to.
And at last, the vocal vary. For that, it needed to be Agnes Obel’s “The Curse”. I’ll go away you to find the ability and the nuance for your self. And in case you’re going to examine the vocal vary of a pair of headphones and slip right into a chic gap of pure bliss whilst you’re at it, it’s a must to placed on Speak Speak’s “Wealth”, to my thoughts probably the most stunning songs ever made.
All in all, I’d rank them 8/10. Would I purchase a pair for the aforementioned travelling? Surely. What it is best to take from this evaluation is that these are headphones I’d completely suggest, for day after day listening with a nod to the excessive finish.
I need to go away you with one final observe, to not check these headphones however merely to listen to them. Relaxation in peace, William Orbit. “Water From a Vine Leaf”. If you wish to lay again, neglect the stats, neglect the critiques, neglect life going by, then neglect every little thing I’ve mentioned. Placed on these headphones and slip again to a greater time. You gained’t neglect it.
For the technically inclined, right here’s what’s underneath the glass. Discover out extra at Nothing
| Spec | Headphone (1) Professional |
|---|---|
| Drivers | 40 mm bass dynamic, 13 × 8 mm precision dynamic (PEN diaphragm), solid-state xMEMS treble |
| Frequency response | 20 Hz to 40 kHz |
| Hello-Res audio | As much as 24-bit/96 kHz wi-fi and three.5 mm, lossless USB-C as much as 24-bit/192 kHz |
| Codecs | AAC, SBC, LDAC, LC3 (broadcast audio solely) |
| Noise cancelling | Actual-time adaptive ANC, as much as 46 dB, 10 mics |
| Spatial audio | 5 modes with head monitoring: Customary, Studio B, Stay Home, Membership, Live performance Corridor |
| Studio instruments | Flat EQ Change and 5 style EQs by Metropolis Studios |
| Battery | As much as 30 hours ANC on, as much as 68 hours ANC off (1060 mAh) |
| Quick cost | 5 minutes provides 2 hours ANC on, 4 hours ANC off |
| Full cost | 2 hours by way of USB-C |
| Connectivity | Bluetooth 6.1, twin connection, Auracast broadcast audio, Google Quick Pair, Microsoft Swift Pair |
| Latency | Beneath 120 ms in low latency mode, underneath 15 ms by way of 3.5 mm with Flat EQ on |
| Supplies | Titanium arms, aluminium body, 9H Panda Glass |
| Headphone weight | 327 g |
| Case weight | 383.5 g |
| Dimensions (H × W × D) | 190.2 × 174.4 × 78 mm |
| Headband adjustment | 132 mm to 169 mm |
| Sturdiness | IP52 mud and water resistance |
| Colors | Black, White |
| Within the field | Headphones, carry case, 3.5 mm cable, USB-C cable, Fast Begin information, 2 lanyard connectors |
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