The place somebody would possibly see opposition, Kristine Stattin finds becoming companions. Working in her studio within the Occitanie area of southern France, the artist alternates between hand and machine embroidery as she layers lengthy, sweeping strains and tiny, tufted French knots. The contrasts create stress and intrigue and be sure that Stattin doesn’t get too comfy with anybody mode.
“My work is all concerning the course of, being in and surrendering to the second, embracing the unknown, not being hooked up to outcomes and expectations, and bringing the threads to life,” she says.
Bursting with coloration and texture, Stattin’s summary embroideries evoke motion and power by a number of layers of skinny, stitching thread stitched atop each other. There’s stress between orderly rows and chaotic smatterings. “Every new piece is an inside journey, a form of enigma that asks to be solved, and I exploit the needle and threads to seize a sense, motion, and life itself,” she shares.
Sometimes, appliqué, screen-printing, and acrylic-painted particulars seem in her items, and selections to include new supplies are a part of an instinctive course of guided by the work itself. Colour is analogous, with combos of pastel hues and daring, saturated palettes derived from nature, the artist’s environment, and even the way in which stitching thread falls on her desk.
“I’m considering an intuitive, but conscious course of, to see the place the threads will take me, to see and reply to what occurs, and to work with eventual errors,” she says. “I embrace these errors as they typically result in new concepts that I carry into future work.”
Comply with Stattin on Instagram for updates and glimpses into her course of.
