Getter Drops 'DOOM' EP, a Ferocious Return to His Dubstep Roots

Getter’s first EP in years reaffirms his standing as certainly one of bass music’s most gifted producers.

Getter constructed his repute as an artist who makes musical statements with no trace of subtlety, and his new EP DOOM makes that abundantly clear inside seconds.

Launched right now through Bassrush Information, the five-track EP marks Getter’s first long-form undertaking since 2021’s Some Creature, arriving after an extended stretch of relative dormancy that left followers questioning whether or not certainly one of dubstep’s most influential architects would ever absolutely reengage. His reappearance over the previous 12 months, sparked by his sudden “Cooler Than Me” rework alongside Mike Posner, hinted at a renewed urge for food for ferocious manufacturing.

Getter’s time away from dubstep was not spent in silence. By way of his Terror Reid undertaking, he continued releasing hip-hop-focused music, refining a vocal-first method that now bleeds instantly into DOOM. The EP’s aggressive rap options and rhythmic emphasis really feel like a synthesis of each identities.

With DOOM, Getter doesn’t attempt to insert himself into the field of “2026 dubstep.” As an alternative, he confidently presents the most recent evolution of his artistry with out chasing developments. In a style that usually cycles via eras rapidly, his return represents a reprisal of the darker instincts that introduced it into stateside prominence within the first place.

For listeners who got here of age throughout that explosion of the 2010s, a brand new Getter EP carries weight. He helped form the style’s aggressive American id at a time when distortion, angle and uncooked sound design mattered greater than polish. Newer followers could not have that context, however DOOM makes a convincing case for why his title nonetheless instructions consideration.

The EP opens with “STAB UP,” pairing gritty percussion and trap-inflected rhythms with Shakewell’s confrontational lyrical supply. The drop leans into basic Getter hostility, however with sharp, fashionable manufacturing. “BORN 2 STUNT” (with SXMPRA) doubles down on that vitality with driving, relentless bass and metallic textures beneath rapid-fire bars and percussive claps that preserve the association galloping ahead.

“EGO TORTURE” indulges his affinity for distortion with a stomping dubstep drop engineered for max mosh pit affect. “PILLZZ,” the undertaking’s lone solo lower, seems like a direct nod to Getter’s roots, balancing throwback dubstep chaos with moments of wildly artistic drum syncopation. The EP’s closing monitor “SKULLY” (with Useless Hippie) embraces disorientation, its unstable rhythms and ominous tone embodying the EP’s title with intention.

You possibly can take heed to DOOM under.