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Terry Facey Painstakingly Replicates a Seventeenth-Century Marquetry Desk at 1:8 Scale — Colossal

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January 4, 2026
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Terry Facey Painstakingly Replicates a Seventeenth-Century Marquetry Desk at 1:8 Scale — Colossal
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When furnishings maker Terry Facey started repairing historic items, his work typically centered round Seventeenth-century examples, because of an vintage seller who usually introduced him new objects. Over time, the follow instilled a love for the sweetness and exact craftsmanship of those centuries-old objects. And in the future, he determined to strive making one himself—solely his iteration was actually, actually small.

Facey works out of his shed, arrange a lot the identical as another wooden store, besides that all the things is optimized for making scale miniatures. Lately, the V&A commissioned him to copy an ornate, Seventeenth-century desk in its everlasting assortment at 1:8 scale. “It’s a bit that I’ve at all times cherished,” Facey says. “It’s bought probably the most fantastic barley twist legs, beautiful inlay prime with olive wooden on six-sided items. It’s fairly distinctive. I don’t often see items with that configuration of veneer.”

To start, Facey takes measurements of the unique c.1674 marquetry desk on the V&A in London Kensington. He then forages for twigs straight sufficient for carving an itty bitty model, and salvages 300-year-old oak from an outdated drawer as a result of the old-growth wooden has a grain that’s tighter, sturdier, and simpler to work with than the trendy oak one should purchase at a house retailer, for instance. “The outdated oak on this (drawer) is so incredible,” Facey says. “To have the ability to use this versus fashionable oak is simply chalk and cheese.”

Armed with chisels and saws which can be very sharp and effective, Facey meticulously cuts dovetail joints and carves the reproduction twisted legs on a tiny lathe. He creates the tabletop from slices of the foraged twigs, reveling within the patterns that emerge from inside a seemingly unimpressive department. Even tinier items are sliced from the heartwood to recreate the six-sided veneer items.

Facey’s development sheds mild on the intricate technique of furnishings constructing, particularly the artwork of elaborate veneer, regardless of the size. He says, “The olive wooden desk within the V&A, the fella who made it—or the individuals who made it, as a result of they’re in all probability a couple of—they used virtually similar methods [to] the methods that I’ve used.”

See the video, and extra prefer it, on the V&A’s YouTube channel.

a still from a short documentary produced by the V&A of a miniature replica of a 17th-century table with twisted legs being held in front of the original
a still from a short documentary produced by the V&A of craftsman Terry Facey working on a miniature table replica
a still from a short documentary produced by the V&A of a tiny table leg being carved on a lathe
a still from a short documentary produced by the V&A of a miniature replica of a 17th-century table with twisted legs

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