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Did Tintin Creator Hergé Collaborate with the Nazis? A Historic Investigation

Admin by Admin
December 4, 2025
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Did Tintin Creator Hergé Collaborate with the Nazis? A Historic Investigation
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The Adven­tures of Tintin could also be a chil­dren’s com­ic sequence from mid-twen­ti­eth-cen­tu­ry Europe, however its enchantment has lengthy since tran­scend­ed the certain­aries of type, cul­ture, and gen­er­a­tion. In reality, many if not most seri­ous­ly ded­i­cat­ed followers of Tintin are in mid­dle age and past, and few of them can have keep away from­ed ever con­sid­er­ing the ques­tion of his cre­ator’s activ­i­ties dur­ing the Sec­ond World Struggle. Georges Remi, identified by the nom de plume Hergé, was born to a low­er-mid­dle-class fam­i­ly in a Brus­sels sub­urb in 1907: utter­ly mun­dane start­nings, per­haps, however ones that may result in what the apoc­ryphal historic Chi­nese curse calls inter­est­ing occasions, even for a younger man whose inter­ests did­n’t run far previous scout­ing and draw­ing.

After serv­ing within the Bel­gian military, explains his­to­ry YouTu­ber Mark Fel­ton in his new video above, Remi was employed by the con­ser­v­a­tive Catholic paper Le Vingtième Siè­cle to attract comics for its chil­dren’s sup­ple­ment Le Petit Vingtième. It was there that he grew to become Hergé and cre­at­ed the boy reporter Tintin, whom the paper’s edi­tor requested to be despatched to a fic­tion­al­ized Sovi­et Union so as to expose the evils of the Bol­she­viks. Pop­u­lar­i­ty got here imme­di­ate­ly, and constructed as much as the diploma that an actor was employed to place his hair right into a quiff and “return” by prepare to an appre­cia­tive crowd in Brus­sels upon the sto­ry’s con­clu­sion. There fol­lowed the fur­ther adven­tures of Tintin within the Con­go (on the time, a Bel­gian colony) and Tintin in Amer­i­ca, each of which have since are available in for an excessive amount of crit­i­cism for his or her reliance on stereo­sorts.

Although very a lot his personal artist, Hergé at this stage let the pol­i­tics of Tintin sto­ries be dic­tat­ed by excessive­er-ups. Con­ceived in response to Japan’s inva­sion of Manchuria, The Blue Lotus, from 1934, did supply him an oppor­tu­ni­ty to extend the actual­ism of his artwork, ren­der­ing the appear and feel of Chi­na as accu­price­ly as his analysis may make pos­si­ble; he con­tin­ued to incor­po­price massive quantities of element from all around the world into The Bro­ken Ear, The Black Island, and King Ottokar’s Scep­tre. Although that final offers with fic­tion­al Euro­pean coun­tries, it additionally clear­ly sat­i­rizes the inva­sive ten­den­cies of Hitler’s Ger­many — which might come for Hergé’s residence­land in 1940, shut­ting down Le Petit Vingtième, placing him out of a job, and even req­ui­si­tion­ing his residence.

Even­tu­al­ly, Hergé land­ed on his ft and joined Le Soir, Bel­gium’s largest French-lan­guage information­pa­per. Although he may pub­lish Tintin there, the Nazis had turned it into their ide­o­log­i­cal mouth­piece, a proven fact that did­n’t mirror effectively on Hergé after the Allied vic­to­ry. He discovered him­self black­listing­ed and cat­e­go­rized with the thou­sands of Bel­gian col­lab­o­ra­tors who may obtain the dying penal­ty or life in jail, however an inves­ti­ga­tion into his case discovered him to be “a blun­der­er somewhat than a trai­tor” — shades of P. G. Wode­home mak­ing broad­casts in regards to the lighter facet of intern­ment for the Gestapo. His good stand­ing as a cit­i­zen and artist was even­tu­al­ly restored, although even right now, his wartime activ­i­ties are occa­sion­al­ly referred to as into ques­tion. Nonetheless, he was in a position to con­tin­ue Tintin’s adven­tures till he died in 1983, engag­ing in solely the type of col­lab­o­ra­tion he may do together with his workers at Stu­dios Hergé.

Relat­ed Con­tent:

Hergé Attracts Tintin in Vin­tage Footage (and What Explains the Character’s Endur­ing Attraction)

How Andy Warhol and Tintin Cre­ator Hergé Mutu­al­ly Admired and Influ­enced One Anoth­er

Comics Impressed by Wait­ing for Godot, Fea­tur­ing Tintin, Roz Chast, and Beav­is & Butthead

How Dis­ney Fought Fas­cism with Professional­pa­gan­da Automotive­toons Dur­ing World Struggle II & Avert­ed Finan­cial Col­lapse

How the Nazis Waged Struggle on Mod­ern Artwork: Contained in the “Degen­er­ate Artwork” Exhi­bi­tion of 1937

The Nazis’ 10 Con­trol-Freak Guidelines for Jazz Per­type­ers: A Unusual Checklist from World Struggle II

Based mostly in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His tasks embody the Sub­stack newslet­ter Books on Cities and the e book The State­much less Metropolis: a Stroll by Twenty first-Cen­tu­ry Los Ange­les. Fol­low him on the social internet­work for­mer­ly referred to as Twit­ter at @colinmarshall.



Tags: CollaborateCreatorHergéHistoricalInvestigationNazisTintin
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Did Tintin Creator Hergé Collaborate with the Nazis? A Historic Investigation

Did Tintin Creator Hergé Collaborate with the Nazis? A Historic Investigation

December 4, 2025
Mimi Ọnụọha Reminds Us That We Do not Know What We Do not Know with AI

Mimi Ọnụọha Reminds Us That We Do not Know What We Do not Know with AI

December 4, 2025
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