Collectively actually pushed me to take plenty of the experimental concepts I’d been toying with and run with them. Early on, I landed on the idea of sympathetic resonance as a thematic thread. It felt like a gorgeous metaphor for the movie’s emotional panorama. In physics, sympathetic resonance is when a passive object vibrates in response to exterior frequencies that match its personal harmonic id. That concept – of 1 factor responding to a different with out direct contact – was conceptually good for the story.
To discover it sonically, I constructed a metallic field full of springs and mounted a contact mic inside. I blasted music into it by a speaker, and the ensuing resonances had been wild and unpredictable – this metallic, ghostly bloom that turned the atmospheric spine of the rating. Then by shifting the pitch of the enter materials, I may create moments of stress and launch, nearly just like the music and the springs had been in a push-pull dialog.
I even tried to copy a few of that conduct in Guitar Rig. It wasn’t the identical, after all, however taking part in with the ResoChord element gave me equally satisfying harmonic motion. It was a good way to blur the traces between acoustic oddity and digital management.
Professional composing tip from Corrnel Wilczek: Modifiers Rule. Results are nice, however results that transfer are even higher. Guitar Rig’s Modifiers are a secret weapon for evolving a sound in dynamic, surprising methods. Attempt assigning the identical modifier to very totally different parameters throughout your chain. You’ll usually find yourself with textures that really feel unified, natural, and simply bizarre sufficient to be fascinating.
