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The Grateful Lifeless emerged from the San Francisco Bay Space in 1965 as one among rock music’s most progressive and enduring acts, with guitar serving because the cornerstone of their revolutionary sound. Initially forming from the electrical transformation of the jug band Mom McCree’s Uptown Jug Champions, the group advanced by their temporary incarnation because the Warlocks earlier than deciding on the enduring title that will outline American psychedelic and jam band music for 3 many years. The interaction between lead and rhythm guitar turned the inspiration for his or her legendary improvisational jams that might stretch for hours, creating a singular musical framework that blended rock, folks, bluegrass, blues, jazz, nation, and psychedelia into one thing completely new.
All through their 30-year profession from 1965 to 1995, the Grateful Lifeless maintained a remarkably secure guitar lineup, with Jerry Garcia’s exploratory lead work and Bob Weir’s revolutionary rhythm strategy forming an unprecedented musical partnership. Garcia’s melodic, jazz-influenced improvisations offered the band’s non secular and musical management, whereas Weir developed one among rock’s most distinctive rhythm guitar types, typically taking part in advanced chord inversions and counterpoint patterns that complemented relatively than merely supported the lead guitar. This guitar-centric strategy reworked reside rock efficiency from structured tune supply to spontaneous musical exploration, establishing the template for your complete jam band motion and influencing numerous musicians throughout genres.
The function of guitar within the Grateful Lifeless’s music prolonged far past conventional rock conventions, serving as each melodic anchor and exploratory car for his or her prolonged musical journeys. Garcia’s heat, melodic taking part in type emphasised contact sensitivity and fixed tonal variation by customized devices constructed by luthier Doug Irwin, whereas Weir’s McCoy Tyner-influenced strategy challenged rhythm guitar conventions by emphasizing counterpoint and harmonic interplay. Collectively, they created a musical telepathy that allowed for spontaneous route adjustments and complementary improvisational frameworks throughout reside efficiency, making every of their over 2,200 live shows a singular musical expertise.
Following Jerry Garcia’s loss of life in 1995, the surviving members formally disbanded the Grateful Lifeless, however numerous reunion initiatives emerged that includes completed guitarists who introduced their very own interpretations whereas honoring the improvisational spirit that made the Lifeless’s guitar work legendary. These post-Garcia incarnations, together with The Different Ones, The Lifeless, Furthur, and Lifeless & Firm, have launched the band’s music to new generations whereas sustaining the guitar-driven improvisational strategy that outlined their unique sound. From the technically exact recreations of tribute band veterans to the mainstream attraction of latest artists, these musicians have ensured that the Grateful Lifeless’s guitar legacy continues to evolve and encourage.
The whole story of Grateful Lifeless guitarists encompasses not solely the core members who outlined the band’s sound but in addition the various array of musicians who’ve carried their musical imaginative and prescient ahead into the twenty first century, creating an unbroken chain of guitar-driven exploration that spans almost six many years of American music historical past.
Jerry Garcia
Jerome John “Jerry” Garcia (1942-1995) emerged as one among rock music’s most progressive and influential guitarists by his three-decade tenure because the Grateful Lifeless’s lead guitarist and first musical architect. Born right into a musical San Francisco household, Garcia’s adolescence was marked by tragedy—dropping his father in a drowning accident at age 4 and most of his proper center finger in a wood-chopping accident the identical yr. Regardless of these setbacks, he developed right into a virtuosic multi-instrumentalist, starting with piano classes earlier than discovering the banjo and ultimately the electrical guitar at age 15 after listening to Chuck Berry. His musical basis was constructed on various influences together with bluegrass legends Invoice Monroe and Doc Watson, jazz saxophonist John Coltrane, blues masters like Freddie King and Chuck Berry, and nation pioneers, creating the eclectic musical vocabulary that will outline the Grateful Lifeless’s sound.
Garcia’s revolutionary guitar strategy synthesized an unprecedented vary of American musical traditions—rock, blues, nation, folks, bluegrass, jazz, and psychedelia—into a particular improvisational type that prioritized melodic storytelling over technical showmanship. His method featured in depth use of chromatic passing tones, chord-tone encirclement borrowed from bebop jazz, and rhythmic triplets delivered by his customized Doug Irwin guitars (Wolf, Tiger, and Rosebud). These devices featured progressive electronics together with onboard preamps, results loops, coil-tap switches, and MIDI capabilities that allowed Garcia to entry a rare tonal palette. His taking part in type emphasised contact sensitivity, fixed quantity and tone changes throughout solos, diversified right-hand positioning for timbral adjustments, and in depth vibrato on sustained notes, creating what he referred to as “twelve discrete attainable voices” by his devices.
Because the Grateful Lifeless’s musical chief, Garcia composed iconic songs together with “Darkish Star,” “Franklin’s Tower,” “Scarlet Begonias,” and “Ripple” (with lyricist Robert Hunter), whereas his guitar work outlined legendary performances such because the 23-minute “Darkish Star” from Reside/Lifeless (1969) and the Cornell 5/8/77 “Scarlet Begonias > Hearth on the Mountain.” His improvisational philosophy—described as “making it up as I am going alongside”—reworked reside rock efficiency from structured tune supply to spontaneous musical exploration, establishing the template for the jam band motion. With over 15,000 hours of recorded music throughout 2,200+ Grateful Lifeless live shows, he turned “essentially the most recorded guitarist in historical past” in keeping with fellow musician Henry Kaiser. Rolling Stone ranked him thirteenth among the many “100 Best Guitarists of All Time” (2003), whereas his musical legacy continues to affect generations of guitarists from Trey Anastasio to John Mayer, making certain the continuation of Garcia’s revolutionary imaginative and prescient of guitar as a car for limitless musical discovery and communal transcendence.
Bob Weir
Bob Weir’s function because the Grateful Lifeless’s rhythm guitarist represents one among rock music’s most revolutionary approaches to the instrument, essentially redefining what rhythm guitar might accomplish inside a band context. Born Robert Corridor Weir on October 16, 1947, and adopted by prosperous mother and father in Atherton, California, Weir struggled academically because of undiagnosed dyslexia however discovered his calling when he started taking part in guitar at age 13. His life modified dramatically on New 12 months’s Eve 1963, when the 16-year-old Weir encountered 21-year-old Jerry Garcia at Dana Morgan’s Music Retailer in Palo Alto, resulting in an all-night jam session that will delivery one among rock’s most enduring partnerships. Although initially the youngest and least skilled member when the Grateful Lifeless shaped in 1965, Weir’s musical growth accelerated dramatically after a disaster in 1968 when Garcia and Phil Lesh briefly dismissed him for not “pulling his weight musically.”
This setback turned a catalyst for progress, prompting Weir to develop his distinctive strategy by learning jazz piano, significantly McCoy Tyner’s work with the John Coltrane Quartet. “I realized by making an attempt to mimic a piano, particularly the work of McCoy Tyner,” Weir defined, describing how he absorbed Tyner’s counterpoint strategies that offered harmonic assist beneath Coltrane’s improvisations. Weir’s musical improvements essentially challenged conventional rhythm guitar conventions, creating a mode that emphasised counterpoint, different chord voicings, and dynamic harmonic interplay relatively than repetitive strumming patterns. His strategy was completely suited to the Grateful Lifeless’s improvisational ethos, as he developed an intuitive musical telepathy with Garcia that allowed him to anticipate the place solos had been heading and supply complementary harmonic frameworks.
Past his instrumental contributions, Weir served as a vital songwriting voice and vocalist all through the Grateful Lifeless’s 30-year profession, collaborating initially with Robert Hunter on classics like “Sugar Magnolia” and “Truckin’” earlier than discovering his main lyrical associate in childhood pal John Perry Barlow. Collectively, Weir and Barlow created a few of the band’s most enduring compositions, together with “Cassidy,” “Taking part in within the Band,” “The Different One,” and “Black-Throated Wind,” typically that includes advanced time signatures and complex harmonic buildings that mirrored Weir’s jazz influences. His vocal contributions had been equally important, as he sang lead on roughly half of the Lifeless’s repertoire, bringing a particular timbre to cowboy songs, rock anthems, and experimental compositions alike. Weir’s legacy extends far past his instrumental method; his musical philosophy of serving the tune whereas sustaining artistic independence established a template for rhythm guitarists searching for to transcend conventional limitations, proving that supporting roles might be equally progressive and important to a band’s creative identification.
Ron “Pigpen” McKernan
Ron “Pigpen” McKernan (1945-1973) served as one of many Grateful Lifeless’s founding members and, whereas primarily generally known as a keyboardist and harmonica participant, often contributed guitar throughout the band’s early life. Born right into a blues-loving household in San Bruno, California, McKernan absorbed the music of Lightnin’ Hopkins, Jimmy Reed, Ray Charles, and different blues and R&B masters by his father’s in depth file assortment and radio DJ work. His blues authenticity and commanding stage presence made him the band’s unique entrance man and the driving drive behind their choice to “go electrical” in 1965, reworking them from an acoustic jug band into the psychedelic pioneers they might turn out to be. McKernan’s musical contributions prolonged past keyboards and harmonica to occasional guitar work, significantly throughout the band’s early experimental interval when instrumental roles had been extra fluid.
McKerran’s affect on the Grateful Lifeless’s sound can’t be overstated, as his deep blues data offered the inspiration upon which Garcia and Weir constructed their extra experimental approaches. His gritty vocals on songs like “Activate Your Love Mild,” “Good Morning Little Schoolgirl,” and “Large Boss Man” showcased a special aspect of the Lifeless’s musical character, grounding their psychedelic explorations in genuine American blues custom. His decline because of alcoholism started affecting his performances by 1970, resulting in decreased participation within the band’s actions and finally his departure in 1972. McKernan died of a gastrointestinal hemorrhage in March 1973, simply months after the discharge of the band’s blues-influenced “Europe ’72” album that featured a few of his closing recordings. Although his guitar contributions had been restricted in comparison with his keyboard and vocal work, McKernan’s function in shaping the band’s early sound and blues basis influenced how all subsequent Lifeless guitarists approached the intersection of conventional American music and psychedelic experimentation.
Mark Karan
Mark Karan emerged as one of the necessary guitarists within the post-Jerry Garcia period, bringing a uncooked, intuitive strategy that honored the Lifeless’s improvisational spirit whereas establishing his personal musical identification. Born January 13, 1955, in San Francisco, Karan labored extensively as a session musician and touring guitarist for main artists together with Dave Mason, Delaney Bramlett, The Rembrandts, Paul Carrack, Huey Lewis, Jesse Colin Younger, and Sophie B. Hawkins earlier than becoming a member of the Grateful Lifeless prolonged household. From 1986-1989, he was guitarist and co-producer for the band Slings & Arrows, creating the blues-based psychedelic type that will make him a super match for Lifeless-related initiatives. Remarkably, Karan was really photographed as a younger fan on the “Reside Lifeless” album cowl, having attended almost 50 Grateful Lifeless exhibits in his youth, making a full-circle connection to the music he would later assist perpetuate.
Co-selected together with Steve Kimock in 1998 to fill the lead guitar place in The Different Ones, Karan later anchored the lead guitar slot in Bob Weir’s RatDog from 1998-2013, taking part in a whole bunch of exhibits yearly and changing into one of the lively musicians within the Lifeless universe. His musical type was characterised by a extra uncooked and intuitive taking part in strategy in comparison with different post-Jerry guitarists, emphasizing blues-based improvisation with psychedelic components that meshed naturally with the Lifeless’s established framework. Not like a few of his contemporaries who centered on replicating Garcia’s actual type, Karan introduced his personal musical character whereas respecting the improvisational traditions that outlined the band’s strategy to reside efficiency.
Karan’s resilience was examined in 2007 when he was identified with throat most cancers, throughout which Steve Kimock crammed in for him on RatDog’s summer season tour. He returned in March 2008 in full remission and continued his prolific touring schedule till 2013. His 2009 solo album “Stroll By means of the Hearth” featured collaborations with Delaney Bramlett, Billy Payne, Mike Finnigan, and The Persuasions, showcasing his capability to work throughout a number of genres whereas sustaining the collaborative spirit that outlined his work with Lifeless-related initiatives. Karan’s contributions to the post-Garcia period helped set up that the Lifeless’s musical framework was sturdy sufficient to assist totally different interpretations whereas sustaining the important improvisational character that made every efficiency distinctive.
Steve Kimock
Steve Kimock has been one of the revered and versatile guitarists within the Grateful Lifeless prolonged universe, incomes recognition from Jerry Garcia himself as one among his favourite modern gamers. Born October 5, 1955, in Bethlehem, Pennsylvania, Kimock was a member of San Francisco Bay Space bands Zero and KVHW earlier than his in depth work with Lifeless-related initiatives started. Jerry Garcia particularly cited Kimock, together with Frank Gambale and Michael Hedges, as one among his favourite guitar gamers throughout the later a part of his life, a endorsement that carried great weight inside the Lifeless neighborhood and helped set up Kimock’s credibility as a worthy successor to Garcia’s improvisational strategy.
Kimock’s involvement with Grateful Lifeless-related music started sooner than most post-Jerry guitarists, having performed with Keith and Donna Godchaux’s Coronary heart of Gold Band (1979-80) and Bob Weir’s Kingfish (1986) throughout the unique band’s lively years. His most important contributions got here within the post-Garcia period, taking part in with Phil Lesh and Mates (1998-99), The Different Ones (1998-2000), and serving as a member of the Rhythm Devils in 2006 alongside Lifeless drummers Invoice Kreutzmann and Mickey Hart. His fluid improvisation and technical precision drew pure comparisons to Jerry Garcia, making him an ideal match for Lifeless-related music whereas sustaining his personal four-decade profession of psychedelic exploration throughout electrical, acoustic, lap metal, and pedal metal guitars.
Identified for a extra educated and technical strategy in comparison with the rawer type of Mark Karan, Kimock introduced refined harmonic data and distinctive improvisational expertise that honored Garcia’s legacy whereas contributing his personal musical perspective. His capability to seamlessly transfer between totally different guitar types and his deep understanding of the Lifeless’s musical framework made him a useful collaborator for surviving band members searching for to proceed their musical journey. Kimock crammed in for Mark Karan in RatDog in 2007 throughout Karan’s most cancers therapy and rejoined the band in 2013, demonstrating his ongoing dedication to the Lifeless’s musical neighborhood. His latest involvement with Reside Lifeless & Brothers for his or her 2025 spring tour exhibits that his contributions to the Lifeless’s musical legacy proceed to evolve, making certain that his refined strategy to psychedelic improvisation stays an lively a part of the band’s ongoing story.
Jimmy Herring
Jimmy Herring introduced formidable technical expertise and various musical influences to the Grateful Lifeless household throughout his tenure with The Different Ones and The Lifeless within the early 2000s. Born January 22, 1962, in Fayetteville, North Carolina, Herring was a founding member of Aquarium Rescue Unit and Jazz Is Lifeless, learning at each Berklee Faculty of Music and the Guitar Institute of Know-how to develop his refined strategy to improvised music. His influences spanning Steve Morse of the Dixie Dregs, Jimi Hendrix, and jazz legends Charlie Parker and John Coltrane created a singular musical vocabulary that mixed the emotional rawness of rock with the technical precision of jazz fusion, making him well-suited for the Lifeless’s advanced improvisational necessities.
Herring joined The Different Ones in 2002 and continued with the group after they renamed themselves The Lifeless in 2003 and 2004, bringing his formidable method in service of harmonic and rhythmic creativeness that spanned jazz, rock, nation, and improvised music. His strategy differed from different post-Jerry guitarists by emphasizing superior harmonic ideas and complicated melodic growth whereas sustaining the emotional connection that made the Lifeless’s music so compelling. He had beforehand performed with Phil Lesh and Mates from October 2000 to November 2005, giving him in depth expertise with the Lifeless’s repertoire and improvisational type earlier than taking up the lead guitar function within the full band context.
After The Lifeless period led to 2004, Herring joined Widespread Panic as their lead guitarist in 2006, the place he continues to carry out and has discovered his most secure musical house. His solo recordings together with “Lifeboat” (2008) and “Topic to Change With out Discover” (2012) showcase his capability to mix advanced instrumental prowess with accessible songcraft, reflecting the identical steadiness between technical sophistication and emotional accessibility that characterised his work with Lifeless-related initiatives. Herring’s contributions to the post-Garcia period demonstrated that the Lifeless’s musical framework might accommodate extremely technical gamers whereas sustaining the band’s important character, proving that superior musical coaching might improve relatively than overwhelm the spontaneous communication that outlined the Lifeless’s strategy to reside efficiency.
Warren Haynes
Warren Haynes introduced southern rock credibility and in depth blues-rock expertise to varied Grateful Lifeless reunion initiatives, establishing himself as one of the profitable post-Garcia guitarists. Born April 6, 1960, Haynes was finest generally known as longtime guitarist with the Allman Brothers Band (1989-1997, 2000-2014) and founding member of Gov’t Mule, giving him deep expertise within the sort of prolonged improvisational rock that characterised the Lifeless’s strategy. His early profession included work with David Allan Coe and The Dickey Betts Band, offering him with the southern rock and blues basis that will show invaluable in decoding the Lifeless’s American music synthesis.
Since Jerry Garcia’s loss of life in 1995, Haynes carried out extensively with surviving Lifeless members, starting with Phil Lesh and Mates beginning in 1999 for 3 years earlier than being chosen for The Lifeless’s “Wave That Flag Tour” in 2004. His soulful blues-rock strategy with southern rock influences introduced a special taste to the Lifeless’s music whereas respecting the improvisational traditions that outlined their sound. His expertise main Gov’t Mule ready him nicely for the calls for of prolonged improvisation and musical communication required in Lifeless-related initiatives, as he was accustomed to constructing whole live shows round spontaneous musical growth relatively than predetermined tune buildings.
Haynes’ contributions prolonged past guitar taking part in to songwriting, having co-written “Two of a Form, Workin’ on a Full Home,” which turned a #1 hit for Garth Brooks, demonstrating his capability to craft memorable songs that might attain mainstream audiences. His Christmas Jam in Asheville, North Carolina, has raised hundreds of thousands for Habitat for Humanity and featured quite a few visitor musicians together with Bob Weir and Dave Matthews, displaying his dedication to the Lifeless’s custom of music as neighborhood constructing. Haynes performed with The Lifeless once more in late 2008 for Barack Obama profit exhibits and toured with them in spring 2009, offering secure management throughout the transition between totally different incarnations of the band and serving to keep continuity within the Lifeless’s post-Garcia evolution.
Trey Anastasio
Trey Anastasio’s choice to play lead guitar for the Fare Thee Properly fiftieth anniversary live shows in 2015 represented a symbolic passing of the torch between the Grateful Lifeless and the jam band motion they impressed. As lead guitarist and vocalist of Phish, Anastasio had in depth historical past performing with Lifeless offshoots relationship again to 1999 when he joined Phil Lesh and Mates for his or her first post-transplant exhibits, establishing his credibility inside the Lifeless neighborhood years earlier than his historic choice for the farewell live shows. His deep understanding of improvisational music and many years of expertise main prolonged jams made him a super candidate to honor Jerry Garcia’s legacy whereas bringing his personal musical perspective to the band’s closing official performances.
Anastasio’s preparation for Fare Thee Properly demonstrated his dedication to honoring Garcia’s musical strategy, spending months in “Lifeless Camp” learning Garcia’s music and modifying his guitar rig to match Jerry’s sound, together with putting in Seymour Duncan SH3 pickups and including a center single coil pickup to his customized Languedoc guitar. His technical strategy to replicating Garcia’s tone confirmed respect for the Lifeless’s musical traditions whereas his pure improvisational talents ensured that the performances would seize the spontaneous spirit that made the Lifeless’s live shows particular. The live shows themselves, carried out with Phil Lesh, Bob Weir, Mickey Hart, Invoice Kreutzmann, Jeff Chimenti, and Bruce Hornsby at Santa Clara and Chicago, had been historic occasions that marked the ultimate time all 4 surviving core Lifeless members carried out collectively.
The Fare Thee Properly live shows weren’t simply nostalgic celebrations however important cultural occasions that demonstrated the continuing relevance of the Grateful Lifeless’s musical imaginative and prescient. Anastasio’s efficiency was seen as validation of the jam band motion that had grown from the Lifeless’s affect, displaying that the improvisational rules Garcia championed had been efficiently carried ahead by a brand new technology of musicians. His success in filling such an iconic function whereas sustaining his personal musical identification proved that the Lifeless’s affect had created a sustainable musical custom that might proceed to evolve and encourage new interpretations, making certain that the band’s progressive strategy to reside music would proceed to affect American rock music for generations to come back.
John Kadlecik
John Kadlecik emerged from the tribute band world to turn out to be one of the Garcia-like guitarists within the post-Jerry period, incomes recognition from Rolling Stone as “one of the best Jerry Garcia since Jerry Garcia.” Born June 28, 1969, in Council Bluffs, Iowa, Kadlecik co-founded Darkish Star Orchestra in 1997, a tribute band centered on recreating particular Grateful Lifeless live performance performances with unprecedented consideration to element, learning not simply the songs however the actual preparations, improvisational paths, and even between-song banter from specific exhibits. His dedication to understanding Garcia’s musical evolution throughout totally different eras gave him distinctive perception into how the Lifeless’s music developed over their 30-year profession, making him exceptionally certified to hold ahead Garcia’s musical legacy.
Kadlecik’s technical precision and virtuosity in replicating Garcia’s guitar elements and vocal type made him essentially the most authentic-sounding Garcia interpreter, resulting in his recruitment by Bob Weir and Phil Lesh for Furthur from 2009-2014. His strategy concerned learning a number of variations of songs from totally different eras to know their evolution, permitting him to carry out songs in ways in which honored their historic growth whereas sustaining the spontaneous character that made every Lifeless efficiency distinctive. Phil Lesh famous that Kadlecik had “internalized the essence of Jerry’s strategy,” referring to his capability to seize not simply Garcia’s technical expertise however the musical philosophy that guided his improvisational decisions.
Regardless of his repute as essentially the most Garcia-like guitarist and his profitable tenure with Furthur, Kadlecik was not chosen for Fare Thee Properly in favor of Trey Anastasio, a choice that mirrored the band’s want to maneuver ahead relatively than merely recreate the previous. This choice highlighted the stress between authenticity and evolution that characterised many post-Garcia initiatives, with totally different approaches serving totally different functions inside the Lifeless’s prolonged musical household. Kadlecik continues to carry out with Phil Lesh & Mates and his personal John Kadlecik Band, making certain that his exact interpretation of Garcia’s musical legacy stays obtainable to followers who search essentially the most trustworthy recreation of the unique Lifeless expertise whereas different musicians discover new instructions for the band’s musical affect.
John Mayer
John Mayer’s involvement with Lifeless & Firm represents one of the profitable and stunning developments within the post-Jerry Garcia period, bringing mainstream attraction and a brand new technology of followers to the Grateful Lifeless’s music. Born October 16, 1977, the Grammy-winning pop and blues guitarist found the Lifeless by “Althea” on Pandora in 2011, starting an intensive examine of their music that led to his becoming a member of Lifeless & Firm in 2015 alongside Bob Weir, Mickey Hart, Invoice Kreutzmann, Jeff Chimenti, and Oteil Burbridge. His transition from mainstream pop stardom to jam band management represented an surprising profession evolution that originally shocked each Lifeless followers and Mayer’s present viewers, however his dedication to understanding the Lifeless’s musical rules and his pure improvisational talents rapidly gained over skeptics.
Mayer’s strategy to filling Garcia’s function concerned important modifications to his taking part in type and tools to honor Garcia’s musical legacy whereas bringing his personal blues-rock sensibilities to the function. Utilizing PRS Tremendous Eagle II guitars with pickup configurations much like Garcia’s customized devices, Mayer developed a tone and strategy that revered the Lifeless’s musical traditions whereas permitting his personal musical character to emerge throughout prolonged improvisational sections. His present expertise as a blues guitarist and his expertise with reside efficiency offered a powerful basis for adapting to the Lifeless’s repertoire, whereas his songwriting talents and mainstream success introduced new vitality to the band’s presentation and attraction.
Lifeless & Firm has turn out to be one of the profitable touring acts in recent times, with Mayer’s involvement introducing Grateful Lifeless music to a youthful technology whereas satisfying longtime followers searching for high-quality performances of the traditional repertoire. Initially scheduled to finish in 2023, the band’s success led to continuation with Sphere residencies in Las Vegas and extra touring, demonstrating the continuing business and creative viability of the Lifeless’s musical legacy. Mayer’s function in Lifeless & Firm has created a bridge between mainstream pop/rock and the jam band neighborhood, proving that the Lifeless’s musical rules can proceed to draw new audiences whereas sustaining the improvisational character and neighborhood spirit that outlined the unique band’s strategy to reside music efficiency.
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