Within the exhibition Terra Forma artists and brothers Saman and Sasan Oskouei ship particles and excellent circles rising from translucent layers of shade harking back to mountain ranges, sediment layers and sunbaked soil. However these summary landscapes supply no agency floor beneath our toes. As a substitute, we witness a collection of colliding kinds giving form to enigmatic mirages of slumbering dunes coated in hazy mud clouds.Â
These muted hues of the layers of the earth are accompanied by kinds and supplies impressed by up to date factoryscapes. Nonetheless, the presence of architectural geometry and steely chilly surfaces rejects any affiliation with gloomy smokestacks or welding fumes. In a collection of sculptures arduous metal is playfully embraced by the rhythms of the earth and bent into natural shapes. As youngsters of a wedding between manufacturing unit mud and pollen, these fabricated vegetation carry forth easy spheres of heat cherrywood as in the event that they have been sacrificial presents – or the constructing blocks – of a not-too distant future.
With these our bodies of soil, metal, and dirt Saman and Sasan Oskouei direct our consideration in direction of the significance of a renewed understanding of the mutual change between man and the continuously evolving types of nature.Â
