Her protagonist is a cinematic Sheherazade, fascinating viewers with tales of brave feats and astonishing achievements. But Heiny Srour’s “Leila” just isn’t dealing in fiction however in actual fact: re-telling the story of the Palestinian and Lebanese individuals with girls again of their rightful roles, as lively contributors of their nation’s tales. Because the movie returns to cinemas 40 years after it was made, the Lebanese director tells us why its themes are nonetheless extraordinarily topical as we speak. We additionally talk about her pioneering documentary, “The Hour of Liberation Has Arrived”, which made Srour the primary Arab girls to current a characteristic on the Cannes Movie Competition in 1974.
'Leila and the Wolves': Lebanese director Heiny Srour's prophetic perspective
